Gallery of Bus Models
-
New Flyer D40HF
#9044 (1990) (Retired) -
New Flyer D60LF
#6036 (2001) (Retired) -
New Flyer D60LF
#6136 (2002) (Retired) -
New Flyer D60LF
#6354 (2008) -
New Flyer Invero
#4254 (2004) -
New Flyer Invero
#4285 (2005) -
NovaBus LFS
#9736 (1997) (Retired) -
Orion V
#9257 (1992) (Retired) -
Orion V
#9819 (1998) (Retired) -
Orion VI
#4067 (1999) -
Orion VII NG HEV
#5001 (2008) -
Orion VII NG HEV
#5012 (2009) -
Alexander Dennis Enviro500
#1201 (2008) (Retired) -
Alexander Dennis Enviro500
#1202 (2008) (Retired)
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Famous quotes containing the words gallery of, gallery, bus and/or models:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (18781979)
“French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.”
—Camille Paglia (b. 1947)