Production
De Palma and Schrader devised a story with a narrative clearly inspired by Alfred Hitchcock's Vertigo, a film that both of them admired. Schrader's original screenplay, titled Deja Vu, was reportedly much longer than the final film, with a coda that extended another ten years beyond where the film now ends. De Palma ultimately found Schrader's screenplay unfilmable due to its length, and rewrote and condensed the finale himself after Schrader refused to make the requested changes. According to De Palma, "Paul Schrader's ending actually went on for another act of obsession. I felt it was much too complicated, and wouldn't sustain, so I abbreviated it." The film's composer, Bernard Herrmann, agreed that the original ending should be jettisoned, telling De Palma, after reading Schrader's version, "Get rid of it--that'll never work". Schrader remained resentful of De Palma's rewrite for years, and claimed to have lost all interest in the project once the change was made. De Palma said, "It made Schrader very unhappy: he thought I'd truncated his masterpiece. He's never been the same since."
After the film was completed, Columbia executives expressed unease over the incest theme, especially as it was portrayed in such a heavily romanticized manner. Consequently, a few minor changes were made to a pivotal sequence between Robertson and Bujold, in which dissolves and visual "ripples" were inserted in order to suggest that the consummation of their marriage was in fact simply a dream. The film's editor, Paul Hirsch, agreed with the decision to obscure the incest theme, noting, "I thought it was a mistake to drag incest into what was basically a romantic mystery, so I suggested to Brian, 'What if it never happened? What if instead of having them get married, Michael only dreams of getting married? We have this shot of Cliff Robertson asleep. We could use that and then cut to the wedding sequence.' And that's what we did. It became a projection of his desires rather than actual fact."
Read more about this topic: Obsession (1976 film)
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)