Oberon (opera) - Performance History

Performance History

First performed at Covent Garden, London on 12 April 1826, with Miss Paton as Reiza, Mme. Vestris as Fatima, Braham as Huon, Bland as Oberon and the composer conducting, it was a triumph with many encores, and the production was frequently revived. The libretto was later translated into German by Theodor Hell, and it is in this German translation that the opera is most frequently performed.

The opera was soon mounted elsewhere: Leipzig in 1826, Dublin, Edinburgh and Vienna in 1827, Prague in 1828 and Budapest in 1829, with many other performances in western Europe from the 1830s to the 1860s.

Weber was dissatisfied by the structure of the opera as it was produced in London, and intended to revise the work on his return to Germany, but died in London before starting work on the revision. Since then, other composers and librettists have revised the work, notably Franz Wüllner, Gustav Mahler (who, preparing a new performing version, rearranged some of the numbers and composed some linking music based on material from the existing score) and novelist-composer Anthony Burgess, who wrote a new libretto for Oberon and arranged the overture for guitar quartet. Franz Liszt made an arrangement of the overture in 1843 for solo piano (S.574).

The first performance of Oberon in America took place on March 12, 1827 in Philadelphia. It was seen in Paris in 1830 at the Théâtre Italien; a lavish production in February 1857 at the Théâtre Lyrique conducted by Adolphe Deloffre was praised by Berlioz.

In the 20th century, the Metropolitan Opera premiere was on December 28, 1918 (accumulating 13 performances up to 1921) with Rosa Ponselle as Reiza, conducted Artur Bodanzky, who also composed recitatives in place of original spoken dialogue. The opera was staged at the Salzburg Festival in 1932 and 1934 under Walter, at the 1950 Holland Festival with Monteux conducting, the Florence Festival in 1952 under Stiedry and at the Paris Opera in 1953 with Cluytens.Although the opera has been staged intermittently in the 20th century, it has been often been performed successfully in concert.

Read more about this topic:  Oberon (opera)

Famous quotes containing the words performance and/or history:

    The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
    Viola Spolin (b. 1911)

    Whenever we read the obscene stories, the voluptuous debaucheries, the cruel and torturous executions, the unrelenting vindictiveness, with which more than half the Bible is filled, it would be more consistent that we called it the word of a demon than the Word of God. It is a history of wickedness that has served to corrupt and brutalize mankind.
    Thomas Paine (1737–1809)