The term Number Pieces refers to a body of late compositions by John Cage. Each piece is named after the number of performers involved: for instance, Seven is a piece for seven performers, One9 (read "One Nine") is the ninth work for one performer, and 1O1 is a piece for an orchestra of 101 musicians. The vast majority of these works were composed using Cage's time bracket technique: the score consists of short fragments (frequently just one note, with or without dynamics) and indications, in minutes and seconds, of when the fragment should start and when it should end. Time brackets can be fixed (e.g. from 1.15 to 2.00) or flexible (e.g. from anywhere between 1.15 and 1.45, and to anywhere from 2.00 to 2.30).
All of the Number Pieces were composed during the last six years of Cage's life, 1987–1992. Most are for traditional instruments, with six exceptions that range from works for the Japanese aerophone shō and conch shells to an electronically amplified version of 4′33″. This article lists all Number Pieces, organized by number of performers.
Famous quotes containing the words number and/or pieces:
“Black lady,
what will I do
without your two flowers?
I have inhabited you, number by number.
I have pushed you in and out like a needle.”
—Anne Sexton (1928–1974)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)