Plot
Sam Gillen (Jean-Claude Van Damme) is a Quebecois convict in the United States who escapes from Federal custody with the aid of his bank-robbing partner. In their last heist, Sam's partner killed a bank guard, a crime for which Sam was ultimately convicted. Sam's partner is killed in the break, forcing Sam to continue on alone. He sets up camp on a piece of farmland owned by Clydie Anderson (Rosanna Arquette), the widowed mother of two kids, Mike (nicknamed "Mookie") (Kieran Culkin) and Bree (Tiffany Taubman).
While sneaking into Clydie's house to "borrow" some salt, Sam catches sight of Clydie taking a shower. The next morning, Sam is spotted bathing outdoors by Mookie. After saving Clydie, Mookie, and Bree from a trio of intruding thugs, Sam learns that Clydie is holding out from selling her land to property developer Franklin Hale (Joss Ackland), who will be put out of business if he does not get Clydie's land so that he can develop on it.
Sam stays in Clydie's barn while repairing her late husband's Triumph motorcycle. Meanwhile Hale has one of his men, Mr. Dunston (Ted Levine), try to force Clydie into selling her land. Secretly on Hale's payroll is the corrupt Sheriff Lonnie Poole (Edward Blatchford), who harbors feelings for Clydie.
A jealous Lonnie discovers Sam's true identity and strongly urges him to leave. Sam complies, only to find the state police chasing him. Sam returns to save Clydie from Dunston and Hale, who have forced her to sign a sale agreement in his absence and are about to burn down her house.
In the end, Sam decides to turn himself in to the authorities. He promises Clydie that he will come back someday.
Read more about this topic: Nowhere To Run (1993 Film)
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no ones actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, revivd, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (16311700)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)