Music Video
The video starts off with Yulia and Lena's mugshots being placed on screen, with the truck's engine starting up and steam surrounding the two girls and the vehicle. They then are outside in a snowy environment, where they steal a large truck and ride off through an airfield, breaking through a fence while singing. The two girls later find themselves in snow-covered Siberia. They run over a construction worker in the middle of the road, who is played by Ivan Shapovalov. After breaking through another fence, some family photos of both the girls as young children are shown during the video. Towards the end, Yulia and Lena climb to the roof of the truck and stand on top, hugging and smiling as they continue to sing the song, until they crack the lens of the camera as they leave.
The song was directed by their former producer Ivan Shapovalov. The music video is also the same music video taken from the Russian version "Nas Ne Dogonyat". The English music video for this song is a re-edited version of the Russian video, altered to remove the lip synching (usually by adding a broken glass shot over the shots of them singing).
A video game was created by a fan based on the music video. In the game, the band is inside a truck trying to get away from the bad guys. The game course also features land mines that the player must dodge. It was uploaded by a user on game-sharing web site Newgrounds.
Read more about this topic: Not Gonna Get Us
Famous quotes containing the words music and/or video:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)