Nosrat Karimi - Career

Career

After finishing elementary school, Karimi attended the German Polytechnic Institute. He then registered at the only drama school existing at that time in Tehran. There from 1938 to 1941 he studied dramatic art, the art of make-up and stage design.

In 1940, Karimi worked as actor, make-up artist, and as stage designer in various Tehran theaters. At the beginning of 1953, Karimi travelled to Europe in order to complete his art degrees. In Rome, where he spent the first months of his stay, he became acquainted with famous Italian film directors Luchino Visconti and Vittorio De Sica. The neo-realistic films of De Sica ("The Bicycle Thief", "Miracle in Milan "... ) made an impression on him.

After approximately six months, Karimi traveled to Vienna and finally to Prague. There he studied film direction and TV production, specializing in puppet and animation movies. His most important teacher at The Academy of Arts in Prague was Karl Zeman, the famous Czech animation artist. After Prague, he returned to Rome and stayed there for three years. He worked as assistant director for Vittorio De Sica, performed on the stage, appeared in musicals and dubbed a number of Italian movies for distribution in Iran.

In 1964, after eleven years in Europe, Karimi went back to Iran. In 1965, he was engaged by The Ministry of Art and Culture to run and extend the state workshop for animated cartoons. A little later, Karimi began his activity as professor at The Faculty of Fine Arts at Tehran University, as well as at The Academy of the Dramatic Arts, where he taught different art styles for more than twenty years.

At the same period, Karimi produced two TV series: "Mr. Plaintiff", a puppet show and "The Marriage", a twenty-part family series about married life. Through these popular series, Karimi became known to a wide section of society of Iran.

In 1969, Karimi began shooting the film The Thief and the Policeman - a Persian adaptation of the story of cops and robbers. However, after having finished the film for the most part, he gave up the direction due to interference from the producer. In the same year, the British director Terence Young shot some scenes of the film Poppy is also a Flower in Iran. He engaged Karimi as make-up artist for his lead Yul Bryner and other actors.

From 1971 to 1973, Nosrat Karimi made three feature films: The Carriage Driver, The Solution and A Bed for Three where he not only acted as director, but also wrote the film scripts and played the title roles.

The Carriage Driver was a great success and went down well with the critics. This movie was chosen as the Iranian contribution for international film festivals. However, film authorities banned it from being shown abroad. Only years later could the film be performed in European cinemas. The internationally acclaimed Iranian director Abbas Kiarostami, honoured with The Golden Palm of Cannes 1997 and numerous other international motion picture awards, praised the film as an important work of the Iranian Cinema.

Karimi’s fame and great success resulted in attractive offers from many producers. Thus in the 1970s he played in a number of commercial films that were directed by others. He also played a supporting role in a Japanese-Iranian co-production. In 1975, the director and actor made his fourth and last movie The Miserable One. Again, he wrote the screenplay. The film, a satire about the mounting tensions in the 1970s in Tehran, went down well and received notable reviews.

In 1976, Karimi played one of the main characters of the TV series My Uncle Napoleon. This is regarded as the most successful series ever run on Iranian television. A year later, the artist produced the TV series Khosro Mirsa II. This 16-part series was a grotesque comedy about an aristocratic family descended from the Qajar dynasty. He then wrote another film script and was preparing his next movie, but for the time being film production was stopped during the Iranian Revolution.