Northeastern United States - Composition

Composition

The region comprises nine states: the New England states of Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont; and the Mid-Atlantic states of New Jersey, New York and Pennsylvania. The Census Bureau regions are "widely used...for data collection and analysis." Other definitions agree. The Uniform Crime Reports of the Federal Bureau of Investigation (FBI) and the National Energy Modeling System both use the Census definitions of the Northeast. Gale's almanac of associations and regional, state, and local organizations also takes the same nine states as comprising the Northeast.

The Northeastern United States is bounded to the north by Canada, to the east by the Atlantic Ocean, to the south by the American South, and to the west by the American Midwest. The Census-defined region occupies a total area of 181,324 sq mi (469,630 km2).

Read more about this topic:  Northeastern United States

Famous quotes containing the word composition:

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)