Norman Stansfield - Creation and Legacy

Creation and Legacy

Stansfield is noted for Oldman's over-the-top portrayal of the character. Given the austere manner of the film's title character, actor Jean Reno had "no room to play", according to director Luc Besson, and Stansfield was devised as a contrasting character with whom "anything was possible. Anything." Although the antagonist of the film, Stansfield was intended to offer a measure of comic relief. Besson stated, "A movie without humor somewhere, is not a movie. A movie needs humor" (Virgin Media would later describe Stansfield as "so full of whimsical tics you can't help but let out a guilty chuckle"). Oldman said of Besson's direction, "You share ideas, and if you come up with an idea that he likes, you can bet your bottom dollar that it'll go in the movie. I liked working with Luc so much that if I actually never worked with another director again, it wouldn't worry me." In a later interview, however, Oldman alluded to some conflict with Besson on-set, "He tells you how to move, how to speak, where to stand. He tried that with me, not always with the greatest success. You have to be open to ideas, and it's okay if someone has a better idea than you. You can't nest and be so closed off. You act and direct with an open hand. It's about collaboration." Oldman concluded, however, "There's one vision, ultimately. I am there to serve the director's vision, and I respect that. I'm not just going to stamp my foot and demand my own way. I'm going to go with the flow." Oldman and Besson's professional relationship would be an ongoing one: Besson cast Oldman as the primary antagonist of his next project, 1997 blockbuster The Fifth Element, and co-produced Oldman's directorial debut Nil by Mouth, released the same year.

Oldman's overstated approach lent itself to the exaggerated delivery of notable lines such as: "I haven't got time for this Mickey Mouse bullshit!"; "Death is whimsical today"; "EV-ERY-ONE!!" (which has become an Internet meme) and "I take no pleasure in taking life if it's from a person who doesn't care about it" (extended dialogue for the scenes in which these lines appear can be found at wikiquote). The last of those occurs in an intense scene with Natalie Portman's female protagonist, Mathilda, where Stansfield prepares to kill the young girl. Portman said of the scene, "Working with Gary Oldman was probably the easiest acting experience of my life ... I don't think I had to act at all in that scene. I mean, it was really simple, because he really does what he does well ... It's pretty amazing to get to see it that close, but it was also a gift to me." Another important scene is where Stansfield, who has "a talent for sniffing out a lie", interrogates Mathilda's father, played by Michael Badalucco. Stansfield has been paying him to store cocaine in his residence, but suspects that he has been stealing some of the drugs for himself. The sniffing and invasion of Badalucco's personal space was improvised by Oldman, resulting in the genuine expression of unease on Badalucco's face during the scene.

Léon: The Professional was critically well-received. The character of Stansfield – like Jack Nicholson's portrayal of Jack Torrance in 1980 horror film The Shining, a character to which parallels have been drawn – was applauded by many critics, but it alienated some. In a five-star review of the film, Mark Salisbury of Empire magazine described Oldman's performance as "astonishingly histrionic"; Richard Schickel of Time magazine, in a positive review, characterized it as "divinely psychotic." Conversely, other reviewers cast aspersions on the character's sense of realism in negative reviews: Chris Hicks of the Deseret News considered it "utterly ridiculous"; The New York Times' Janet Maslin "preposterous." Mark Deming of Allmovie, in a positive review, adopted a neutral stance, calling it "a love-it-or-hate-it, over-the-top turn". George Wales of Total Film admitted that "corrupt cop Stansfield might be a little too OTT for some tastes", but argued that "you couldn't ask for a better portrayal of batshit craziness than Oldman turns in here." Besson said of Stansfield, "So many people have told me they love that character, and I'm very proud of what and I achieved with it." He added that while viewers are "free to like or dislike work", he feels that the character's "ironies" and "campiness" may have been lost on some viewers, who anticipated a stoic authority figure.

In recent years, Stansfield has been named – in publications by CNN, Virgin Media, Total Film, Rotten Tomatoes, the Online Film Critics Society and Hollywood.com, among others – as one of cinema's greatest villains; recognizing the influence of Oldman's performance, MSN Movies described it as "the role that launched a thousand villains." Filmsite also included Stansfield's unique demise in its "Greatest Movie Death Scenes".