Career
Garstin worked as a painter, teacher, art critic and journalist. As printed in 100 Years in Newlyn, Norman Garstin was:
He was a man of intensely individual impulses and opinions, and incurred unpopularity at times through his views on war and other topics. But he was a stimulating teacher and a shrewd critic, and had a true eye for a picture with old architecture and historic atmosphere, as well as a brush capable of rendering his intentions with right effect.
In 1888 he became a member of the New English Art Club (NEAC). Garstin became a member of the Newlyn Society of Artists (NSA) and was on the Newlyn Art Gallery's Provisional Committee for its opening in 1895. Garstin said of the plein-air approach used by St Ives and Newlyn artists: They were "filled with this idea of a fresh unarranged nature to be studied in her fields, and by her streams, and on the margin of her great seas - in these things they were to find the motives of their art."
He was a teacher and took groups to "his favorite painting haunts on the Continent." For instance, Frances Hodgkins, a New Zealand artist, attended Garstin's 1901 and 1902 summer sketching classes in France. He taught Harold Harvey, the only Cornish Newlyn School painter, and his daughter, Alethea.
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