Nordic Council's Literature Prize
The Nordic Council Literature Prize is awarded for a work of literature written in one of the languages of the Nordic countries, that meets "high literary and artistic standards". Established in 1962, the prize is awarded every year, and is worth 350,000 Danish kroner (2008). Eligible works are typically novels, plays, collections of poetry, short stories or essays, or other works that were published for the first time during the last four years, or in the case of works written in Danish, Norwegian, or Swedish, within the last two years. The prize is one of the most prestigious awards that Nordic authors can win.
The winner is chosen by an adjudication committee appointed by the Nordic Council. The committee consists of ten members, two each from Denmark, Finland, Iceland, Norway and Sweden. The committee members are generally experts in their own country's literature, as well as their neighbouring countries. In addition to the regular members, additional members may be added to the committee if works are nominated from Ă…land, the Faroe Islands, Greenland or the Sami language area. Apart from the monetary award, the intent of the prize is also to "increase interest in the literature of neighbouring countries as well in Nordic cultural fellowship".
Read more about Nordic Council's Literature Prize: Committee Members As of 2011, List of Winners
Famous quotes containing the words council, literature and/or prize:
“Parental attitudes have greater correlation with pupil achievement than material home circumstances or variations in school and classroom organization, instructional materials, and particular teaching practices.”
—Children and Their Primary Schools, vol. 1, ch. 3, Central Advisory Council for Education, London (1967)
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)
“It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit.”
—Joan Didion (b. 1934)