History
The term "non-photorealistic rendering" was probably coined by David Salesin and Georges Winkenbach in a 1994 paper. Many researchers find the terminology to be unsatisfying; some of the criticisms are as follows:
- The term "photorealism" means something different to graphics researchers than it does to artists, who are the target consumers of NPR techniques. For artists, it refers to a school of painting that focuses on reproducing the effect of a camera lens, with all the distortion and hyper-reflections that involves. For graphics researchers, it refers to an image that is visually indistinguishable from reality. In fact, graphics researchers lump the kinds of visual distortions that are used by photorealist painters into non-photorealism.
- Describing something by what it is not is problematic. Equivalent comparisons might be "non-elephant biology", or "non-geometric mathematics". NPR researchers have stated that they expect the term will disappear eventually, and be replaced by the more general term "computer graphics", with "photorealistic graphics" being used to describe traditional computer graphics.
- Many techniques that are used to create 'non-photorealistic' images are not rendering techniques. They are modelling techniques, or post-processing techniques. While the latter are coming to be known as 'image-based rendering', sketch-based modelling techniques, cannot technically be included under this heading, which is very inconvenient for conference organisers.
The first conference on Non-Photorealistic Animation and Rendering included a discussion of possible alternative names. Among those suggested were "expressive graphics", "artistic rendering", "non-realistic graphics", "art-based rendering", and "psychographics". All of these terms have been used in various research papers on the topic, but the term NPR seems to have nonetheless taken hold.
The first technical meeting dedicated to NPR was the ACM sponsored Symposium on Non-Photorealistic Rendering and Animation (NPAR) in 2000. NPAR is traditionally co-located with the Annecy Animated Film Festival, running on even numbered years. From 2007 NPAR began to also run on odd-numbered years, co-located with ACM SIGGRAPH.
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