Black Ink
The difference between the non-photo blue and black ink is vast enough that digital image manipulation can separate the two easily. If a black-and-white bitmap setting is scanned in, the exposure or threshold number can be set high enough to detect the black ink or dark images being scanned, but low enough to leave out the non-photo blue. On a threshold scale of 0–255, this number would be approximately 140. Only with a considerably high threshold setting will the blue be detected. However, a setting this high may greatly distort the black lines and add a lot of noise and black speckles to the image, making it almost indistinguishable. Scanning in black-and-white makes it possible for the non-photo blue still to serve its original purpose, as notes and rough sketching lines can be placed throughout the image being scanned and remain undetected by the scan head.
There is no exact colour within the Pantone Matching System that matches non-photo blue.
Read more about this topic: Non-photo Blue
Famous quotes containing the words black and/or ink:
“I can’t really hear the audience applause when I’m on stage. I’m totally immersed in the piece. But sometimes I get a lot of it and wonder, “Now, why did they applaud here?” If it’s a white crowd, they usually applaud because they think it’s a pretty movement. If it’s a black crowd, it’s usually because they identify with the message.”
—Judith Jamison (b. 1944)
“Paper is soft and ink is fluid; it might be better if some pages of this chronicle could be written on chips of granite at the point of steel.”
—E. M. Almedingen (b. 1898–?)