Early Television and Film Career
She was credited as the first woman to be seen on colour television sets, as she took part in the BBC's early tests in colour broadcasting in the 1940s. Gordon appeared in two films in the 1940s, produced in Britain and then distributed to the United States (29 Acacia Avenue and Lisbon Story). Her acting career came to a halt in 1955 when she joined Associated Television in London where she presented their first-ever programme, The Weekend Show. She also worked behind the scenes as Head of Lifestyle programmes. Gordon then studied the television medium at New York University in America and after her return helped Reg Watson and Ned Sherrin launch ATV Midlands in 1956. ATV London had already been established. As well as being a producer, Gordon turned to presenting for the new Birmingham based service. Her first television appearance for ATV in the Midlands, Tea With Noele Gordon, was the first popular ITV chat show and whilst presenting this, she became the first woman to interview a British Prime Minister, then Harold Macmillan. Initially commissioned as an emergency schedule filler, the show became so successful that she gave up her executive position to concentrate on programme presentation. She then moved on to present a daily live entertainment show, Lunchbox a programme which pioneered daytime broadcasts.
Read more about this topic: Noele Gordon
Famous quotes containing the words early, television, film and/or career:
“... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
—George Eliot [Mary Ann (or Marian)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)