Ninja Baseball Bat Man - Reception and Related Releases

Reception and Related Releases

During its release in 1993, despite being one of the top arcade hits of Japan while receiving good reviews from critics, when compared to the sales of other kits sold at the time, it sold poorly in the Far East and especially North America. Of the 1042 units sold, only 43 units were sold in North America, making "Ninja Baseball Bat Man" quite rare (especially in the U.S.). Drew "was very disappointed with the effort by the US office." Despite all of this, the popularity of the arcade emulator created four years later in 1997 titled MAME caused Ninja Baseball Bat Man to gain more popularity than the arcade game's original release. Unfortunately, it isn't completely accurate to the arcade version when comparing it to video recordings of one of its PCBs.

The arcade flyers for Ninja Baseball Bat Man has advertisements for Irem's three other video games and franchises: Hammerin' Harry, Undercover Cops and R-Type III: The Third Lightning. An advertisement poster for Mahou Keibitai Gun Hoki (known as Mystic Riders outside of Japan), another arcade game by Irem, appears in the first stage of Ninja Baseball Bat Man.

Read more about this topic:  Ninja Baseball Bat Man

Famous quotes containing the words reception, related and/or releases:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Perhaps it is nothingness which is real and our dream which is non-existent, but then we feel think that these musical phrases, and the notions related to the dream, are nothing too. We will die, but our hostages are the divine captives who will follow our chance. And death with them is somewhat less bitter, less inglorious, perhaps less probable.
    Marcel Proust (1871–1922)

    We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
    Bertolt Brecht (1898–1956)