Rise of Realism in Russia
In Russia, Aleksandr Griboyedov, Alexander Pushkin, and Nikolai Polevoy were the most accomplished playwrights. As elsewhere, Russia was dominated by melodrama and musical theatre. More realistic drama began to emerge with the plays of Nikolai Gogol and the acting of Mikhail Shchepkin. Under close government supervision, the Russian theatre expanded considerably. Prince Alexander Shakhovskoy opened state theatres and training schools, attempted to raise the level of Russian production after a trip to Paris, and put in place regulations for governing troupes that remained in effect until 1917.
Realism began earlier in the 19th century in Russia than elsewhere in Europe and took a more uncompromising form. Beginning with the plays of Ivan Turgenev (who used "domestic detail to reveal inner turmoil"), Aleksandr Ostrovsky (who was Russia's first professional playwright), Aleksey Pisemsky (whose A Bitter Fate (1859) anticipated Naturalism), and Leo Tolstoy (whose The Power of Darkness (1886) is "one of the most effective of naturalistic plays"), a tradition of psychological realism in Russia culminated with the establishment of the Moscow Art Theatre by Constantin Stanislavski and Vladimir Nemirovich-Danchenko.
Ostrovsky is often credited with creating a peculiarly Russian drama. His plays Enough Stupidity in Every Wise Man (1868) and The Storm (1859) draw on the life that he knew best, that of the middle class. Other important Russian playwrights of the 19th century include Alexander Sukhovo-Kobylin and Mikhail Saltikov-Shchedrin.
Read more about this topic: Nineteenth-century Theatre
Famous quotes containing the words rise, realism and/or russia:
“We cannot be any stronger in our foreign policy—for all the bombs and guns we may heap up in our arsenals—than we are in the spirit which rules inside the country. Foreign policy, like a river, cannot rise above its source.”
—Adlai Stevenson (1900–1965)
“The realism of failure, the romance of success.”
—Mason Cooley (b. 1927)
“Today’s difference between Russia and the United States is that in Russia everybody takes everybody else for a spy, and in the United States everybody takes everybody else for a criminal.”
—Friedrich Dürrenmatt (1921–1990)