Nikki Bungaku - General Characteristics

General Characteristics

Nikki bungaku as a term has only been around since the early 20th century and debate continues over strict delineation. However, three major characteristics of Japanese diary literature, though exceptions abound, are "the frequent use of poems, breaking away from the daily entry as a formal device, and a stylistic heightening." For example, Tsurayuki's Tosa Nikki contains fifty-seven waka. Revealing that the "events of the months and years gone by are only vague in memory, and often I have just written what I recall," Mother of Michitsuna also reveals that nikki are not limited to a daily log of events. On the third point, one can see a literary intent when comparing Bashō's Oku no Hosomichi with the log kept by his travel companion, Iwanami Sora. Other common observations include that diaries attempt at an "expression of the self" as opposed to a "search for the self." 5 For example, in writing her Kagero Nikki, Mother of Michitsuna claims a motive “to answer, should anyone ask, what is it like, the life of a woman married to a highly placed man?”4 Heian nikki in particular, according to scholar Haruo Shirane, are united in “the fact that they all depict the personal life of a historical personage.” Thematically, many diaries lay heavy emphasis on time and poetry.

Read more about this topic:  Nikki Bungaku

Famous quotes containing the word general:

    “In the drawing room [of the Queen’s palace] hung a Venus and Cupid by Michaelangelo, in which, instead of a bit of drapery, the painter has placed Cupid’s foot between Venus’s thighs. Queen Caroline asked General Guise, an old connoisseur, if it was not a very fine piece? He replied “Madam, the painter was a fool, for he has placed the foot where the hand should be.””
    —Horace Walpole (1717–1797)