Career
After a brief acting career, Scott decided in 2001 to become a comic book artist. Her first comics work were painted covers for a series titled The Watch published in Australia by Phosphorescent Comics. In 2002, she traveled to the San Diego Comic-Con International to begin making contacts in the U.S. comics industry. In 2003, she obtained work from Top Cow Comics which in turn led to her being hired by DC Comics. Her first work in the U.S. market appeared in Star Wars: Empire #26 (October 2004) published by Dark Horse Comics. In December 2005, Wizard magazine featured Scott as a "Talent to Watch". At DC, she collaborated with writer Gail Simone on Birds of Prey and Secret Six. In 2010, she drew the Wonder Woman tie-in to Blackest Night. In July 2010, Scott was announced as the artist of the Teen Titans starting with issue #88 and she drew the series until the end of its run with issue #100 (October 2011). Scott penciled Superman vol 3 issues #3, 5, and 6. In January 2012, DC announced Scott and writer James Robinson as the creative team of Earth 2, a new series focusing on the Justice Society of America.
Read more about this topic: Nicola Scott
Famous quotes containing the word career:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)