The Character
The definitive description of Nicholas J. Huntington Carter is given in the first novel in the series Run, Spy, Run. Carter is tall (over 6 feet / 1.83 m), lean and handsome with a classic profile and magnificently muscled body. He has wide-set steel gray eyes that are icy, cruel and dangerous. He is hard-faced, with a firm straight mouth, laugh-lines around the eyes, and a firm cleft chin. His hair is thick and dark. He has a small tattoo of a blue axe on the inside right lower arm near the elbow - the ultimate ID for an AXE agent. At least one novel states that the tattoo glows in the dark. Carter also has a knife scar on the shoulder, a shrapnel scar on the right thigh. He has a sixth sense for danger.
Carter practices yoga for at least 15 minutes a day. Carter has a prodigious ability for learning foreign languages. He is fluent in English (his native tongue), Cantonese, French, German, Italian, Portuguese, Putonghua (Mandarin), Russian, Spanish and Vietnamese. He has basic skills in Arabic, Romansch, Swahili, and Turkish. In the early novels, Carter often assumes a number of elaborate disguises in order to execute his missions.
The name Nick Carter was acknowledged by the series as having been inspired by the early 20th century pulp fiction detective of the same name in the 100th Killmaster volume (labelled Nick Carter 100) which included an essay on the earlier Nick Carter and included a Nick Carter detective short story alongside a Killmaster adventure.
Read more about this topic: Nick Carter-Killmaster
Famous quotes containing the word character:
“The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The image is in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.”
—John Crowe Ransom (1888–1974)
“When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to one another. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.”
—Georg Wilhelm Friedrich Hegel (1770–1831)