Nicholasa Mohr - Works

Works

  • Nilda: a novel. Arte Publico Press. 1986. ISBN 978-0-934770-61-3. (First published 1974.)
  • Bronx Remembered: A Novella and Stories. San Val, Incorporated. 1993. ISBN 978-0-613-18443-4.
  • El Bronx remembered: a novella and stories. Harper & Row. 1975.
  • In Nueva York. Arte Publico Press. 1988. ISBN 978-0-934770-78-1.
  • Felita. Illustrator Ray Cruz. Bantam. 1990. ISBN 978-0-553-15792-5.
  • Going home. Dial Books for Young Readers. 1986. ISBN 978-0-8037-0269-1.
  • Rituals of survival: a woman's portfolio. Arte Publico Press. 1985. ISBN 978-0-934770-39-2.
  • Growing up inside the sanctuary of my imagination. J. Messner. 1994. ISBN 978-0-671-74171-6.
  • A Matter of pride and other stories. Arte Público Press. 1997. ISBN 978-1-55885-177-1.
  • The song of el coquí and other tales of Puerto Rico. Illustrator Antonio Martorell. Viking. 1995. ISBN 978-0-670-85837-8.
  • La canción del coquí y otros cuentos de Puerto Rico. Viking. 1995. ISBN 978-0-670-86296-2.
  • The magic shell. Illustrator Rudy Gutierrez. Scholastic. 1995. ISBN 978-0-590-47110-7.
  • El regalo mágico. Translator Osvaldo Blanco; Illustrator Rudy Gutierrez. Scholastic. 1996. ISBN 978-0-590-50210-8.
  • Old Letivia and the Mountain of Sorrows. Illustrator Rudy Gutierrez. Viking. 1996. ISBN 978-0-670-84419-7.
  • La vieja Letivia y el Monte de los Pesares. Illustrator Rudy Gutierrez. Penguin Ediciones/Viking. 1996. ISBN 978-0-670-86324-2.
  • I NEVER EVEN SEEN MY FATHER (play)

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    And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.
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    Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.
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