Nicholas Serota - Tate Directorship

Tate Directorship

The short-listed candidates for the Tate Directorship, who included Norman Rosenthal and Julian Spalding, were asked to prepare a seven-year scheme for the Tate. Serota's submission, on two sides of A4 paper, was titled "Grasping the Nettle". It analysed the various areas of Tate work and proposed future stratagems to deal with the imminent crisis caused by restricted government financial support, changing public sector management expectations and increasing art market prices. He saw many areas of the Tate's operations in need of overhaul, and concluded that the gallery was loved, but not respected enough. Tate Chairman, Richard Rogers considered this by far the best proposal submitted.

News of Serota's appointment as Tate Director was received enthusiastially by Howard Hodgkin, who wrote in The Sunday Times, "Nick Serota has enormous energy and demonstrated at the Whitechapel a tremendous sense of diplomacy. He is a passionate man, and indeed is quite unusual in this country in his commitment to modern painting and sculpture." In contrast, Peter Fuller made a scathing attack in Modern Painters magazine, saying that Serota would be incapable, by temperament and ability, of maintaining the Tate's historic collection.

Major expansion of the Tate Gallery had been seen as inevitable for two decades. In 1993, the creation of the National Lottery made it possible to anticipate the availability of major public funding for an enlarged Gallery. In 1995, Tate received £52 million towards the conversion of the former Bankside Power Station to create Tate Modern. The final cost was £135 million; Serota managed to secure the funds to make up the shortfall from a range of private sources. Tate Modern opened in May 2000 and quickly became a major tourist fixture of London. As well as housing acclaimed new works by Louise Bourgeois and Anish Kapoor, the Gallery has also provided the base for successful exhibitions of Donald Judd, Picasso, Matisse and Edward Hopper.

On 21 November 2000, Serota gave the Dimbleby Lecture in London. He started it by telling of a 1987 Civil Service enquiry which ranked the pay of the Tate Gallery director with that of larger museums such as the National Gallery, because the former "has to deal with the very difficult problem of modern art." He explained this:

In 1998, Serota conceived Operation Cobalt, the secret buyback of two of Tate's paintings by J. M. W. Turner that had been stolen from a German gallery in 1994. The paintings were recovered in 2000 and 2002, resulting in a profit of several million pounds for Tate.

In 2001, Stuart Pearson Wright, winner of that year's BP Portrait Award, said that Serota should be sacked, because of his advocacy of conceptual art and neglect of figurative painting. In 2012, Ruth Dudley Edwards claimed that Serota had "used his power as head of the Tate galleries to promote talentless self-publicists and to encourage the proliferation of the ugly and the pointless".