Decline
The publication of Catherine coincided with the serialization of Ainsworth's novel, but it was the murder in 1840 of Lord William Russell by his valet, Benjamin Courvoisier, that spurred the authorities to act. Courvoisier was reported to have been inspired to the act by a dramatisation of Ainsworth's story. Although Courvoisier later denied that the play had influenced him, the furore surrounding his case led the Lord Chamberlain to ban the performance of plays based on Jack Sheppard's life, and sparked off a press campaign which attacked the writers of Newgate novels for irresponsible behaviour. Courvoisier's execution led to further controversy. It was one of the best attended hangings of the era, and Thackeray and Dickens both witnessed the execution, Thackeray using it for the basis of his attack on capital punishment, On Going to See a Man Hanged. His most vigorous attack in the piece was reserved for Dickens, specifically for Oliver Twist, which Thackeray regarded as glorifying the criminal characters it depicted:
Bah! what figments these novelists tell us! Boz, who knows life well, knows that his Miss Nancy is the most unreal fantastical personage possible; no more like a thief's mistress than one of Gesner's shepherdesses resembles a real country wench. He dare not tell the truth concerning such young ladies.
It was believed that the character of Fagin was based on the real pickpocket Ikey Solomon, but while Dickens did nothing to discourage this perceived connection, he was at pains not to glorify the criminals he created: Bill Sikes is without redeeming features, and Fagin seems pleasant only in comparison to the other grotesques Oliver meets as his story unfolds.
The Newgate novel was also attacked in the literary press, with Jack Sheppard described as a "one of a class of bad books, got up for a bad public" in the Athenaeum, and Punch published a satirical "Literary Recipe" for a startling romance, which began "Take a small boy, charity, factory, carpenter's apprentice, or otherwise, as occasion may serve - stew him down in vice - garnish largely with oaths and flash songs - Boil him in a cauldron of crime and improbabilities. Season equally with good and bad qualities...". The attacks were enough to make Ainsworth and Lytton turn to other subjects; Dickens was made of sterner stuff and continued to use criminals as the central characters in many of his stories.
Among the last of the pure Newgate novels was T.P. Prest's 1847 story of love among criminals, Newgate: A Romance. The form melded into the sensation novels and early detective fiction of the 1850s and 1860s. The former included transgressions outside the purely criminal, such as Wilkie Collins's The Woman in White (1859); an early example of the latter is The Moonstone (1868), again by Collins. All were often serialised in a form that gave rise to the penny dreadful magazines.
Read more about this topic: Newgate Novel
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