Parade Route
At Spring Street and Sixth Avenue, heading south on Sixth to Broome Street, costumed marchers gather well before the official line-up scheduled for 6:00 p.m. In fact, beginning at Noon on parade day, areas on adjoining streets are designated for groups with puppets, floats, and other complicated presentations requiring more set-up and rehearsal. Parade marshals and volunteers keep order and answer questions, assisted by the police. At 7:00 p.m., the first enormous puppets and theme performance enter the parade route to lead the march straight up Sixth Avenue (officially known as The Avenue of the Americas). After the puppets safely pass, the waiting throngs of costumed participants join behind the puppets, and throughout the evening more puppets, floats, bands and other performers are introduced into the stream. It can take two to three hours to enter the parade, so the staging area becomes its own party. Masqueraders continue to show up for hours, stake out a position in the line-up, and gather around their favorite live bands.
Hours before the event, onlookers begin to fill the sidewalks, up to ten deep, behind police barricades. Those wishing for a better view sometimes climb trees and stand on anything else available, including fences, garbage receptacles and telephone booths, but only until police take notice. Streets intersecting the route are closed at 6 p.m., and at these points the crowds swell. Those wishing to enter the parade there are not allowed, but are directed by police to Spring Street. Unlike Macy's Thanksgiving Day Parade, no viewing stands are provided.
The parade is unlit, and relies on whatever street light is normally available. During this time of year in New York, the sun sets shortly before the parade. These night conditions are ideal for the puppets, which theme designers Kahn and Michahelles illuminate from within using LEDs, electroluminescent wire, and LCD projection . One portion of the parade is lit, however, to provide enough visibility for television cameras and professional photographers. This area requires a press pass from organizers. Print and broadcast media from many countries cover New York's Village Halloween Parade, and it is broadcast locally on NY1 television. In 2000, it was broadcast nationally by USA and the SciFi Channel with limited success.
The distinction between participant and spectator is blurry. Many in the audience are themselves in costume — some show up to watch and end up joining — and attention-seeking revelers zigzag across the avenue to interact with the audience, receive applause and cheers, pose for snapshots, throw candy to the children, and mug for the hungry international media. Organizers specifically encourage the marchers to play to the crowd, and the giant puppets' reach often extends over the barricades deep into the crowd.
The parade crosses the intersections of Houston Street, Bleecker Street, Christopher Street, and Greenwich Avenue, then ends at 21st Street. This is not the end of the evening, however; after participants are directed off the route to the east on 21st Street, they disperse to the many costume parties planned at area bars, nightclubs, and restaurants.
Read more about this topic: New York's Village Halloween Parade
Famous quotes containing the words parade and/or route:
“We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in the social our historic passions have withdrawn into the glow of an artificial cosiness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.”
—Jean Baudrillard (b. 1929)
“A route differs from a road not only because it is solely intended for vehicles, but also because it is merely a line that connects one point with another. A route has no meaning in itself; its meaning derives entirely from the two points that it connects. A road is a tribute to space. Every stretch of road has meaning in itself and invites us to stop. A route is the triumphant devaluation of space, which thanks to it has been reduced to a mere obstacle to human movement and a waste of time.”
—Milan Kundera (b. 1929)