New York University Institute Of Fine Arts
The Institute of Fine Arts is one of the 14 divisions of New York University (NYU). It offers master of arts and doctor of philosophy degrees, the Advanced Certificate in Conservation of Works of Art, and the Certificate in Curatorial Studies (issued jointly with the Metropolitan Museum of Art). It is the top-ranked graduate program in art history, according to the National Research Council's 1994 study.
Read more about New York University Institute Of Fine Arts: History
Famous quotes containing the words fine arts, york, university, institute, fine and/or arts:
“Nature predominates over the human will in all works of even the fine arts, in all that respects their material and external circumstances. Nature paints the best part of the picture, carves the best of the statue, builds the best part of the house, and speaks the best part of the oration.”
—Ralph Waldo Emerson (1803–1882)
“We didn’t want any men in our group. They drink their loans, they don’t work their stores. Why should we have to pay for their irresponsibilities?”
—Brachiate Guioth De Espinosa, Colombian storekeeper. As quoted in the New York Times, p. A6 (July 15, 1994)
“Cold an old predicament of the breath:
Adroit, the shapely prefaces complete,
Accept the university of death.”
—Gwendolyn Brooks (b. 1917)
“Whenever any form of government shall become destructive of these ends, it is the right of the people to alter or to abolish it, & to institute new government, laying it’s foundation on such principles & organising it’s powers in such form, as to them shall seem most likely to effect their safety & happiness.”
—Thomas Jefferson (1743–1826)
“All fine architectural values are human vales, else not valuable.”
—Frank Lloyd Wright (1869–1959)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)