Production and Release
“ | Little could we have imagined, when we completed what we thought was the final episode of New York: A Documentary Film in the summer of 2001, how powerfully these underlying themes would resonate with the events that overtook New York just a few weeks later -- or the unforgettable response of the city in the months after that. | ” |
—Ric Burns |
In 1993, Ric Burns, having completed The Way West two years earlier, won a grant from the NEH and began writing the script for New York. Lisa Ades, James Sanders, and Steve Rivo assisted with the initial research. Thirteen joined the project soon after to complete fundraising. The cost of the series through Episode Five was $9.8 million, with more than 20 people involved with the series at its peak. The crew worked out of two offices near 72nd Street and Broadway, in New York City.
New sequences and imagery for New York were shot on 16mm film. The first half of the series was edited traditionally, but Burns reluctantly agreed to edit the second half digitally, on Avid workstations. In retrospect, Burns viewed the computer as an essential tool for managing the huge amount of archival material included in the film.
Originally, Burns planned for a 10-hour series. However, this plan was abandoned, and the first 10 hours (five two-hour episodes) told the story of New York City only up to 1931. The film up to this point was released in 1999, with plans to produce a sixth episode covering the remaining years. However, this plan, too, was abandoned in favor of two additional episodes, Episode Six (running 120 minutes) and Episode Seven (running 140 minutes). Both were released in September 2001, just weeks after the September 11th attacks.
Following the events of September 11, Burns and his crew were inspired to produce a final, eighth episode of the film, focusing on the World Trade Center and its role in New York City's history.
Read more about this topic: New York: A Documentary Film
Famous quotes containing the words production and, production and/or release:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
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“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
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