Arts and Culture
The city has several live performance venues, ranging from the Massey Theatre adjacent to New Westminster High School, to the Burr Theatre, a converted cinema on Columbia Street, and two theatrical venues in Queens Park (One being the Bernie Legge Theatre, home of the Vagabond Players, which were formed in 1937.) The Royal City Musical Theatre, a long-established New Westminster tradition, uses the Massey, while comedy and mystery theatricals use the stages in Queens Park. Also in Queens Park is the Queens Park Arena, longtime home to the legendary New Westminster Salmonbellies professional lacrosse team, as well as an open-air stadium used for baseball and field sports. The Burr Theatre (originally the Columbia Theatre), named for New Westminster native Raymond Burr, was operated by the Raymond Burr Performing Arts Society who produced professional -quality mysteries and comedies between October 2000 and January 2005. February 2005 saw the theatre reopen as a vaudeville theatre with three major productions by The Heartaches Razz Band and in February 2006 collaboration with The Screaming Chicken Theatrical Society produced the first Annual Vancouver International Burlesque Festival. The theatre was sold by the City of New Westminster through a public request for proposal process to the owner of Lafflines Comedy Club. After extensive renovations to convert it into a cabaret style theatre, it is now called The Columbia, home of Lafflines Comedy Club. Douglas College also offers post-secondary training in theatre, stagecraft and music, as well as non-credit courses in music for all ages and ability levels, through the Douglas College Community Music School. Theatre productions and music concerts at Douglas College take place in the Laura C. Muir Performing Arts Theatre and the smaller, more intimate Studio Theatre from September to April.
Read more about this topic: New Westminster
Famous quotes containing the words arts and, arts and/or culture:
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
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