Music Videos
| Year | Title | Director |
|---|---|---|
| 1983 | "Blue Monday" | |
| "Confusion" | Charles Sturridge | |
| 1985 | "The Perfect Kiss" | Jonathan Demme |
| 1986 | "Shellshock" | Richard Elgood |
| "State of the Nation" | Big TV | |
| "Bizarre Love Triangle" | Robert Longo | |
| 1987 | "True Faith" | Philippe Decouflé |
| "Touched by the Hand of God" | Kathryn Bigelow | |
| 1988 | "Blue Monday 1988" | Robert Breer and William Wegman |
| "Fine Time" | Richard Heslop | |
| 1989 | "Round & Round" | Paula Greif |
| "Round & Round" (USA/Patti) | Paula Greif | |
| "Run 2" | Robert Frank | |
| 1990 | "World in Motion" | The Bailey Brothers |
| 1993 | "Regret" | Peter Care |
| "Regret" (Baywatch version) | ||
| "Ruined in a Day" | Keith Allen | |
| "World (The Price of Love)" | Bailley Walsh | |
| "World (The Price of Love)" (Perfecto Remix) | Bailley Walsh | |
| "World (The Price of Love)" (US version) | ||
| "Spooky" (Minimix) | Richard Heslop | |
| 1994 | "True Faith-94" | |
| 1995 | "1963" (Arthur Baker Mix) | Gina Birch |
| "Blue Monday-95" | ||
| 2001 | "Crystal" | Johan Renck |
| "Crystal" (radio edit club remix) (Gina Birch version) | Gina Birch | |
| "60 Miles an Hour" | Leigh Marling and Rob Leggatt | |
| 2002 | "Here to Stay" | Paul Gore |
| 2005 | "Krafty" | Johan Renck |
| "Jetstream" | Dawn Shadforth | |
| "Waiting for the Sirens' Call" | John Hardwick | |
| "Ceremony" | Yu Likwai | |
| "Temptation ("The Temptation of Victoria")" | Michael Shamberg |
Read more about this topic: New Order Discography
Famous quotes containing the words music and/or videos:
“It is from the blues that all that may be called American music derives its most distinctive character.”
—James Weldon Johnson (1871–1938)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)