New Guinea Singing Dog - Behavior

Behavior

Flannery’s short 1988 report on dogs in the mountains of Papua New Guinea is regarded as the only available report on direct observation of wild specimens. He described them as "extraordinarily shy" and "almost preternaturally canny". According to Robert Bino (a student from the University of Papua New Guinea) these dogs use their resting places under roots and ledges in New Guinea only sporadically. Bino theorized that these dogs are highly mobile and forage alone and concluded that they therefore might use several hiding places in their home range.

During research observations, the examined dogs generally showed a lower threshold of behavior (e.g. scent rolling) than other domestic dogs, as well as an earlier developmental onset than other domestic dogs or grey wolves (e.g. hackle biting at 2 weeks compared to other domestic dogs/grey wolves at 6 weeks) and a quantitative difference (e.g. reduced expression of intraspecific affiliate behaviors). The dogs observed did not show the typical canid play bow; however, Imke Voth found this behavior during examinations in the 1980s.

Several unique behaviors have been exhibited by New Guinea Singing Dogs.:

• Head toss: This behavior, shown by every observed dog, is a prompt for attention, food or a sign of frustration, expressed in varying degrees depending on the level of arousal. In the complete expression, the head is swept to one side, nose rotated through a 90° arc to midline, then rapidly returned to the starting position. The entire sequence takes 1–2 seconds. The mildest expression is a slight flick of the head to the side and back. During this behavior, the characteristic contrasting black and white chin markings are displayed.
• Copulatory scream: At the copulatory tie, the female emits a repetitive sequence of loud, high-pitched yelps lasting about 3 minutes. This scream has a strong arousal effect on most domestic dogs.
• Copulatory contractions: About 3 minutes after the start of the tie, females begin a series of rhythmic abdominal contractions. During each contraction, the skin of the flanks and lumbar area is drawn forward. These contractions are accompanied by groans and occur regularly, several seconds apart (they may pause intermittently), continuing for the length of the tie.
• Additionally, Singers have an unusual form of auto-erotic stimulation, which includes a strong tendency to target the genitals for both playful and aggressive bites, a cheek-rub that may be a marking behavior and a tooth-gnashing threat.

During estrus, when potential partners are present, same-sex Singers often fight to the point of severe injury. Furthermore, adults also display a high degree of aggression towards unfamiliar dogs, which would indicate that they are strongly territorial. Their distinctive aggression could not be observed to that extent among Australian dingoes (who live without human contact).

Based on dogs in captivity, it has been theorized that wild singing dogs do not form permanent packs. All sightings in the wild were of single dogs or pairs and, according to observations by Imke Voth in the 1980s, some dogs are more comfortable in pairs and others in small groups. Researchers have noted rough play behavior by the mothers towards their pups, which often switched over to agonistic behavior, as well as "handling". The mothers did not adequately react to the pup's shouts of pain but rather interpreted it as further "invitation" for "playing". The researchers stated that this behavior was noted in their subjects only and does not necessarily apply to all Singers.