Singles Performance Timeline
| Tournament | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | Career SR |
Career W–L |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Grand Slam Tournaments | |||||||||||
| Australian Open | A | A | A | A | A | A | LQ | LQ | LQ | 0 / 0 | 0–0 |
| French Open | A | A | A | A | A | A | LQ | LQ | A | 0 / 0 | 0–0 |
| Wimbledon | A | A | A | A | A | A | LQ | 1R | LQ | 0 / 1 | 0–1 |
| US Open | A | A | A | A | A | A | LQ | LQ | A | 0 / 0 | 0–0 |
| SR | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 1 | 0 / 0 | 0 / 0 | N/A |
| Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–1 | 0–0 | N/A | 0–1 |
| WTA Premier 5 Tournaments | |||||||||||
| Dubai | Not Tier I | LQ | A | 0 / 0 | 0–0 | ||||||
| SR | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | N/A |
| Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | N/A | 0–0 |
| WTA Premier Tournaments | |||||||||||
| Moscow | A | A | A | A | A | A | A | LQ | A | 0 / 0 | 0–0 |
| SR | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | 0 / 0 | N/A |
| Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | N/A | 0–0 |
| WTA International Tournaments | |||||||||||
| Auckland | A | A | A | A | A | A | A | LQ | A | 0 / 0 | 0–0 |
| Pattaya | A | A | A | A | A | A | A | 2R | A | 0 / 1 | 1–1 |
| Monterrey | Not Held | LQ | A | 0 / 0 | 0–0 | ||||||
| Fes | A | A | A | A | A | A | LQ | A | A | 0 / 0 | 0–0 |
| Barcelona | Not Held | LQ | LQ | A | A | 0 / 0 | 0–0 | ||||
| Estoril | 1R | LQ | 2R | 1R | A | 1R | 1R | 1R | A | 0 / 6 | 1–6 |
| İstanbul | Not Held | A | A | A | A | LQ | A | 0 / 0 | 0–0 | ||
| Tashkent | A | A | A | A | A | A | A | 1R | A | 0 / 1 | 0–1 |
| Linz | A | A | A | A | A | LQ | A | A | A | 0 / 0 | 0–0 |
| SR | 0 / 1 | 0 / 0 | 0 / 1 | 0 / 1 | 0 / 0 | 0 / 1 | 0 / 1 | 0 / 3 | 0 / 0 | 0 / 8 | N/A |
| Win-Loss | 0–1 | 0–0 | 1–1 | 0–1 | 0–0 | 0–1 | 0–1 | 1–3 | 0–0 | N/A | 2–8 |
| Career Statistics | |||||||||||
| Tournaments played | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | Career total: 9 | |
| Finals reached | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | Career total: 0 | |
| Tournaments Won | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | Career total: 0 | |
| Statistics by surface | |||||||||||
| Hardcourt Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 4–0 | 0–0 | 3–1 | 0–0 | N/A | 7–1 |
| Clay Win-Loss | 0–2 | 0–0 | 1–1 | 2–1 | 0–0 | 0–1 | 0–1 | 1–2 | 0–0 | N/A | 4–8 |
| Grass Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–1 | 0–0 | N/A | 0–1 |
| Carpet Win-Loss | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–0 | 0–2 | 0–0 | 0–0 | N/A | 0–2 |
| Overall Win-Loss | 0–2 | 0–0 | 1–1 | 2–1 | 0–0 | 4–1 | 0–3 | 4–4 | 0–0 | N/A | 11–12 |
| Win (%) | 0% | 0% | 50% | 67% | 0% | 80% | 0% | 50% | 0% | Career Win (%): 48% | |
| Year-end ranking | 710 | 732 | 421 | 468 | 495 | 204 | 162 | 170 | 434 | N/A | N/A |
- Fed Cup matches are included in the statistics. Walkovers are neither official wins nor official losses.
| Terms | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| W-L | Win-loss | NMS | Not a Masters Series event | ||||||||||||
| NPM/NP5 | Not a Premier mandatory or 5 event | NH | not held | ||||||||||||
| A | absent | LQ/#Q | lost in qualifying draw and round number | ||||||||||||
| RR | lost at round robin stage | #R | lost in the early rounds | ||||||||||||
| QF | quarterfinalist | SF | semifinalist | ||||||||||||
| SF-B | semifinalist, won bronze medal | F | runner-up | ||||||||||||
| F | runner-up, won silver medal | W | winner | ||||||||||||
| Z# | Davis Cup Zonal Group (number) | PO | Davis Cup play-off | ||||||||||||
Read more about this topic: Neuza Silva
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
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