Visual
Adaptation is considered to be the cause of perceptual phenomena like afterimages and the motion aftereffect. In the absence of fixational eye movements, visual perception may fade out or disappear due to neural adaptation. (See Adaptation (eye)). When an observers’ visual stream adapts to a single direction of real motion, imagined motion can be perceived at various speeds. If the imagined motion is in the same direction as that experienced during adaptation, imagined speed is slowed; when imagined motion is in the opposite direction, its speed is increased; when adaptation and imagined motions are orthogonal, imagined speed is unaffected. Studies using magnetoencephalography (MEG) have proven that subjects exposed to a repeated visual stimulus at brief intervals become attenuated to the stimulus in comparison to the initial stimulus. The results revealed that visual responses to the repeated compared with novel stimulus showed a significant reduction in both activation strength and peak latency but not in the duration of neural processing.
Read more about this topic: Neural Adaptation
Famous quotes containing the word visual:
“The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.”
—Marcel Duchamp (1887–1968)
“Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.”
—Robert Doisneau (b. 1912)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)