History
When performers such as Eminem, Nelly and Outkast brought hip hop music into the mainstream in the 1990s, Nepal was still opening its doors to the outside world. As television was limited to working class households and the Internet was completely unknown, radio (playing Nepali folk and pop music and English rock and roll) was the only electronic medium providing mass entertainment. This period also saw an increase in Nepali emigration and the birth or raising of Nepali children overseas, mainly due to the Jana Andolan (the 1990 People’s Movement) and the threat of a Maoist-initiated civil war. By the early 2000s, Nepalese children raised abroad had grown up listening to hip hop music and had used the Internet to collaborate with and express themselves to their families and friends. Aroz, Cyclops, Original Sinz, Merricks, SINIS, Politics Uncle and many more were members of an online forum, giving rise to Nepalese hip hop.
Read more about this topic: Nepalese Hip Hop
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“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
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“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)