Works
DeMille often uses Long Island as a setting in his novels, as in The Gold Coast, Plum Island, Word of Honor, and Night Fall. His most recent novels have followed two main characters, John Corey (starring in six novels) and Paul Brenner (starring in two novels, with also a part in Corey's sixth novel). In earlier works, the storylines were completely separate, but there have been hints in the novels that they are part of a larger "DeMille Universe" that references events and characters in earlier novels, such as The Gold Coast and The Charm School.
DeMille has written himself into Up Country and Wild Fire. He spends approximately two years crafting each of his novels due to the extensive research involved, and because he writes them longhand on legal pads with a number one pencil.The author himself states that he writes in longhand on legal pads, most recently in the acknowledgments following "The Panther".
One of his most recent efforts, the 2011 Mystery Writers of America Annual Anthology The Rich and the Dead, edited by DeMille, and to which he contributed its introduction and first story, was released May 2, 2011.
DeMille has released his latest book, THE PANTHER, in the John Corey series on October 16, 2012. The setting is a troubled Yemen of 2004, in a follow-up investigation of the terrorist USS Cole bombing.
Read more about this topic: Nelson DeMille
Famous quotes containing the word works:
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)