Awarded Films
Officially honored films considered to be "artistically valuable" by the state (* = predicate "special political value", ** = predicate "film of the nation"):
| Year | Title |
|---|---|
| 1933 |
S.A.-Mann Brand (Franz Seitz, Sr.) |
| 1934 |
Der Schimmelreiter i.e. The Rider on the White Horse (Curt Oertel, Hans Deppe) |
| 1935 |
*Hermine und die sieben Aufrechten i.e. Hermine and the Honorable Seven (Frank Wisbar) |
| 1936 |
Das Schönheitsfleckchen i.e. The Beauty Spot (Rolf Hansen) |
| 1937 |
*Der Herrscher i.e. The Sovereign (Veit Harlan) |
| 1938 |
Revolutionshochzeit i.e. Revolution-Marriage (Hans Heinz Zerlett) |
| 1939 |
Es war eine rauschende Ballnacht (Carl Froelich) |
| 1940 |
Der Postmeister i.e. The Postmaster (Gustav Ucicky) |
| 1941 |
Ich klage an i.e. I accuse (Wolfgang Liebeneiner) |
| 1942 |
Wiener Blut i.e. Viennese Blood (Willi Forst) |
| 1943 |
Sophienlund (Heinz Rühmann) |
| 1944 |
Der gebieterische Ruf i.e. The Masterful Calling (Gustav Ucicky) |
| 1945 |
**Kolberg (Veit Harlan) |
Read more about this topic: Nazism And Cinema
Famous quotes containing the words awarded and/or films:
“The principle of majority rule is the mildest form in which the force of numbers can be exercised. It is a pacific substitute for civil war in which the opposing armies are counted and the victory is awarded to the larger before any blood is shed. Except in the sacred tests of democracy and in the incantations of the orators, we hardly take the trouble to pretend that the rule of the majority is not at bottom a rule of force.”
—Walter Lippmann (18891974)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)