Nature writing is generally defined as nonfiction prose writing about the natural environment. Nature writing often draws heavily on scientific information and facts about the natural world; at the same time, it is frequently written in the first person and incorporates personal observations of and philosophical reflections upon nature.
In This Incomparable Land: A Book of American Nature Writing, Thomas Lyon suggests that nature writing encompasses a spectrum of different types of works, ranging from those that place primary emphasis on natural history facts (such as field guides) to those in which philosophical interpretations predominate. Some of the subcategories he identifies include natural history essays, rambles, essays of solitude or escape, and travel and adventure writing.
Modern nature writing traces its roots to the works of natural history that were popular in the second half of the 18th century and throughout the 19th, including works by Gilbert White, William Bartram, John James Audubon, Charles Darwin, Richard Jefferies, and other explorers, collectors, and naturalists. Henry David Thoreau is often considered the father of modern American nature writing. Other canonical figures in the genre include Ralph Waldo Emerson, John Burroughs, John Muir, Aldo Leopold, Rachel Carson, M. Krishnan, and Edward Abbey (although he rejected the term for himself).
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Famous quotes containing the words nature and/or writing:
“Met face to face, these Indians in their native woods looked like the sinister and slouching fellows whom you meet picking up strings and paper in the streets of a city. There is, in fact, a remarkable and unexpected resemblance between the degraded savage and the lowest classes in a great city. The one is no more a child of nature than the other. In the progress of degradation the distinction of races is soon lost.”
—Henry David Thoreau (1817–1862)
“In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I can’t improve on these.”
—Alfred Döblin (1878–1957)