Repertoire
The List of compositions for horn includes many pieces that were originally written with the natural horn in mind. Until the development of the modern horn in the early to mid 19th century, Western music employed the natural horn and its natural brass brethren. Substantial contributors to the horn repertoire include Mozart, Beethoven, Telemann, Weber and many others.
The chromatic abilities of recently-developed brass instruments, however, opened new possibilities for composers of the Romantic era, and fit with the artistic currents of the time. By the end of the 19th century and the beginning of the 20th century, almost all music was written for the modern valved horn.
However, the natural horn still found its way into the works of some composers. Brahms did not care for the valved horn and wrote for natural horn. Benjamin Britten's Serenade for Tenor, Horn and Strings, though written for the modern horn, makes notable use of the F harmonic series.
György Ligeti's Hamburgisches Konzert (Hamburg Concerto) makes a great use of the natural horn and of natural sounds on the modern horn in the solo part and requires four natural horns in the orchestra.
Read more about this topic: Natural Horn
Famous quotes containing the word repertoire:
“The best joke-tellers are those who have the patience to wait for conversation to come around to the point where the jokes in their repertoire have application.”
—Joseph Epstein (b. 1937)
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
—Laurent A. Daloz (20th century)