Origins
Jewelry in the Americas has an ancient history. Beginning as far back as 8800 BCE, Paleo-Indians in the American Southwest drilled and shaped multicolored stones and shells into beads and pendants. Olivella shell beads, dating from 6000 BCE, were found in Nevada; bone, antler, and possibly marine shell beads from 7000 BCE were found in Russell Cave in Alabama; copper jewelry was traded from Lake Superior beginning in 3000 BCE; and stone beads were carved in Poverty Point in Louisiana in 1500 BCE.
Necklaces of heishe beads, or shell ground into flat discs, have been discovered in ancient ruins. Remnants of seashells that were used to make beads were also found. Oyster shell, mother of pearl, abalone, conch and clam shells have been important trade items in the Southwest for over a thousand years.
Native beadwork continued to advance in the pre-Columbian era. Beads were made from hand-ground and filled turquoise, coral, and shell. Carved wood, animal bones, claws, and teeth were made into beads, which were then sewn onto clothing, or strung into necklaces. Turquoise is one of the dominant materials of Southwestern Native American jewelry.Thousands of pieces were found in the Ancestral Pueblo sites at Chaco Canyon. Some turquoise mines date back to Precolumbian times, and Ancestral Pueblo peoples traded the turquoise with Mesoamericans. Some turquoise found in southern Arizona dates back to 200 BCE.
Read more about this topic: Native American Jewelry
Famous quotes containing the word origins:
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)