Criticism
As noted above, the organization's history has been controversial from the start. Lansky's claims that Yiddish was in a state of obsolescence provoked the ire of many people long-involved in Yiddish cultural activities. His invocation of Yiddish nostalgia for the purposes of fundraising has also been the subject of debate both among Yiddish cultural activists and by critics of "ethnic marketing". Lansky rankled initial supporters again when the new center was built by a non-union contractor that had no collective bargaining agreement with its workers. Despite claims that this was offensive given the role of Yiddish speakers in the founding of the American labor movement and trade unions, petitioners from the Jewish Labor Committee and the United Brotherhood of Carpenters and Joiners of America were ignored.
The manner in which the Center raises and spends its funds has also been the target of criticism. According to the organization's IRS Form 990, Lansky's 2008 salary was reported as more than $195,000. Since the bulk of the organization's expenses are spent on the salaries of the top three employees and on fundraising, the independent charity evaluator Charity Navigator rated its efficiency a zero, or "exceptionally poor", and the overall organization as "poor" in 2008. As of 2011 Charity Navigator gives the National Yiddish Book Center an overall score of three stars out of four, based on a financial-performance score of two out of four stars and an "Accountability & Transparency" score of four out of four stars.
Read more about this topic: National Yiddish Book Center
Famous quotes containing the word criticism:
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Nothing would improve newspaper criticism so much as the knowledge that it was to be read by men too hardy to acquiesce in the authoritative statement of the reviewer.”
—Richard Holt Hutton (1826–1897)