National Socialist black metal (also known as NSBM) is black metal that promotes National Socialist (Nazi) beliefs through their lyrics and imagery. These beliefs often include: white supremacy, racial separatism, antisemitism, and Nazi interpretations of paganism or Satanism. According to Mattias Gardell, NSBM musicians see "national socialism as a logical extension of the political and spiritual dissidence inherent in black metal".
Bands whose members hold Nazi beliefs but do not express these through their lyrics are generally not considered NSBM by black metal musicians, but are labelled as such in media reports. Some black metal bands have made references to Nazi Germany purely for shock value, much like some punk rock and heavy metal bands.
According to Christian Dornbusch and Hans-Peter Killguss, the authors of the book Unheilige Allianzen, völkisch pagan metal and neo-Nazism are the current trends in the black metal scene, and are affecting the broader metal scene. Mattias Gardell, however, sees NSBM artists as a minority within black metal.
Read more about National Socialist Black Metal: Origin, Ideology, NSBM and The Broader White Nationalist Movement, NSBM and The Broader Black Metal Scene
Famous quotes containing the words national, socialist, black and/or metal:
“... the Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.”
—Adrienne Rich (b. 1929)
“One is a socialist because one used to be one, no longer going to demonstrations, attending meetings, sending in one’s dues, in short, without paying.”
—Michel de Certeau (1925–1986)
“I asked her if she wanted to go to the movies that night. She laughed again and told me that she felt like seeing a Fernandel movie. When we got dressed, she seemed very surprised to see me wearing a black tie and asked me if I was in mourning. I told her that my mother was dead. Since she asked me since when, I answered, “Since yesterday”.”
—Albert Camus (1913–1960)
“And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.”
—Angela Carter (1940–1992)