National Socialist black metal (also known as NSBM) is black metal that promotes National Socialist (Nazi) beliefs through their lyrics and imagery. These beliefs often include: white supremacy, racial separatism, antisemitism, and Nazi interpretations of paganism or Satanism. According to Mattias Gardell, NSBM musicians see "national socialism as a logical extension of the political and spiritual dissidence inherent in black metal".
Bands whose members hold Nazi beliefs but do not express these through their lyrics are generally not considered NSBM by black metal musicians, but are labelled as such in media reports. Some black metal bands have made references to Nazi Germany purely for shock value, much like some punk rock and heavy metal bands.
According to Christian Dornbusch and Hans-Peter Killguss, the authors of the book Unheilige Allianzen, völkisch pagan metal and neo-Nazism are the current trends in the black metal scene, and are affecting the broader metal scene. Mattias Gardell, however, sees NSBM artists as a minority within black metal.
Read more about National Socialist Black Metal: Origin, Ideology, NSBM and The Broader White Nationalist Movement, NSBM and The Broader Black Metal Scene
Famous quotes containing the words national, socialist, black and/or metal:
“[D]rilling and arming, when carried on on a national scale, excite whole populations to frenzies which end in war.”
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“Democracy is the wholesome and pure air without which a socialist public organization cannot live a full-blooded life.”
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“...black women write differently from white women. This is the most marked difference of all those combinations of black and white, male and female. It’s not so much that women write differently from men, but that black women write differently from white women. Black men don’t write very differently from white men.”
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“There is a lot of talk now about metal detectors and gun control. Both are good things. But they are no more a solution than forks and spoons are a solution to world hunger.”
—Anna Quindlen (b. 1953)