Winners
List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation | ||||||
---|---|---|---|---|---|---|
Year | Image | Recipient(s) | Song(s) | Film(s) | Language(s) | Citation |
1967 |
Mahendra Kapoor | "Mere Desh Ki Dharti" | Upkar | Hindi | – | |
1968 |
Manna Dey | "Jhanak Jhanak Tori Baaje Paayaliya" | Mere Huzoor | Hindi | – | |
1969 |
– | Sachin Dev Burman | "Safal Hogi Teri Aradhana" | Aradhana | Hindi | – |
1970 |
Manna Dey | – | • Mera Naam Joker • Nishi Padma |
• Hindi • Bengali |
– | |
1971 |
– | Hemant Kumar | "Singhapristhe Bhar Kariye" "Peeriti Boliya Ekti Kamal" |
Nimantran | Bengali | – |
1972 |
K. J. Yesudas | – | Achanum Bappayum | Malayalam | – | |
1973 |
K. J. Yesudas | – | Gayathri | Malayalam | – | |
1974 |
– | Mukesh | "Kahi Baar Yoon Bhi Dekha Hai" | Rajnigandha | Hindi | – |
1975 |
M. Balamuralikrishna | – | Hamsageethe | Kannada | – | |
1976 |
K. J. Yesudas | – | Chitchor | Hindi | – | |
1977 |
– | Mohammed Rafi | – | Hum Kisise Kum Naheen | Hindi |
For a golden voice, with resonant timbre and charm, highly cultivated to convey the nuances of melodies based on classical and light classical ragas with as much ease and felicity as tunes set to the lilt of light music; for the sheer brilliance of form and content in his powerful interpretations; for a distinctive personal style. |
1978 |
– | Shimoga Subbanna | "Kaadu Kudure Odi Banditta" | Kaadu Kudre | Kannada |
For rendering the theme song "Kaadu Kudure" in a style which is atonce vigorous and lyrical. |
1979 |
S. P. Balasubrahmanyam | – | Sankarabharanam | Telugu | – | |
1980 |
– | Anup Ghoshal | – | Hirak Rajar Deshe | Bengali |
For a wonderful range of voice and the sense of rhythm imparted to the songs rendered, by him. |
1981 |
S. P. Balasubrahmanyam | – | Ek Duuje Ke Liye | Hindi |
For great feeling and sense of rhythm which he brings to his vocal rendering. |
|
1982 |
K. J. Yesudas | – | Meghasandesam | Telugu |
For his rich contribution to the musical element of the film. |
|
1983 |
S. P. Balasubrahmanyam | – | Saagara Sangamam | Telugu |
For his resonant and technically rich rendering of musical forms to enhance dramatic impact. |
|
1984 |
– | Bhimsen Joshi | – | Ankahee | Hindi | – |
1985 |
Jayachandran | – | Sree Narayana Guru | Malayalam |
For his superb rendering of devotional songs keeping in tune with the subject matter of the film. |
|
1986 |
– | Hemant Kumar | – | Lalan Fakir | Bengali |
For his superb rendering of the traditional songs in his deep and vibrant voice. |
1987 |
K. J. Yesudas | "Unnikale Oru Katha Parayaam" | Unnikale Oru Kadha Parayam | Malayalam |
For the vivacity and mellifluous rendering of the theme song, giving full and meaningful expression to the lyric. |
|
1988 |
S. P. Balasubrahmanyam | – | Rudraveena | Telugu |
For bringing playback singing a rare depth of emotion adorned by his command of classical idiom. |
|
1989 |
– | Ajoy Chakrabarty | – | Chhandaneer | Bengali |
For bringing the rare depth of emotion, adomed by his command on the classical idiom. |
1990 |
M. G. Sreekumar | "Naadharoopini Sankari Pahimam" | His Highness Abdullah | Malayalam |
For an excellent rendering of a classical-based tune encompassing all ranges accurately. |
|
1991 |
K. J. Yesudas | – | Bharatham | Malayalam |
For the mellifluous and masterful rendering of songs in the classical style. |
|
1992 |
Rajkumar | "Naadamaya Ee Lokavellaa" | Jeevana Chaitra | Kannada |
For his extraordinary rendering of a raga celebrating the all pervasive power of music. |
|
1993 |
K. J. Yesudas | – | Sopanam | Malayalam |
For his superb capacity to render a variety of moods by means of a rich and melodious voice, which is capable of delineating both the range and depth of human emotions. |
|
1994 |
P. Unni Krishnan | • "Ennavale" • "Uyirum Neeye" |
• Kadhalan • Pavithra |
Tamil |
For his range and masterly rendition of the songs of two Tamil films, demonstrating a rare professionalism and command over technique. |
|
1995 |
S. P. Balasubrahmanyam | "Umandu Ghumandu Ghana Garaje Badara" | Sangeetha Sagara Ganayogi Panchakshara Gavai | Kannada |
For his soulful rendering of the classical song. |
|
1996 |
S. P. Balasubrahmanyam | "Thanga Thamarai" | Minsara Kanavu | Tamil |
For his brilliant rendering of the song. |
|
1997 |
Hariharan | "Mere Dushman Mere Bhai" | Border | Hindi |
For his melodious rendering of the heartwarming song. |
|
1998 |
Sanjeev Abhyankar | "Suno Re Bhaila" | Godmother | Hindi |
For the song in which he successfully blends folk, bhajan and popular music to communicate the lyrics effectively. |
|
1999 |
M. G. Sreekumar | "Chanthu Pottum" | Vasanthiyum Lakshmiyum Pinne Njaanum | Malayalam |
For a heartwarming rendition of the song. |
|
2000 |
Shankar Mahadevan | "Yenna Solla Pogirai" | Kandukondain Kandukondain | Tamil |
For the soulful rendering of the song. |
|
2001 |
Udit Narayan | • "Mitwa" • "Jaane Kyon" |
• Lagaan • Dil Chahta Hai |
Hindi |
For the song "Mitwa" in Hindi film "Lagaan" and "Jaane Kyon Log Pyaar Karte Hain" in Hindi film "Dil Chahta Hai". |
|
2002 |
Udit Narayan | "Chhote Chhote Sapne" | Zindagi Khoobsoorat Hai | Hindi |
For his melodious rendering of the title song. |
|
2003 |
Sonu Nigam | "Kal Ho Naa Ho" | Kal Ho Naa Ho | Hindi |
For his memorable rendition of the title song that captures the spirit of the film. |
|
2004 |
Udit Narayan | "Yeh Taara Woh Taara" | Swades | Hindi |
For the song to honour his soulful rendition of this beautiful Rahman melody with imaging modulation. |
|
2005 |
– | Naresh Iyer | "Roobaroo" | Rang De Basanti | Hindi |
For his melodious rendering of a lilting song that adds exuberance to the film. |
2006 |
Gurdas Maan | "Couplets of Heer" | Waris Shah: Ishq Daa Waaris | Punjabi |
For building the entire narrative through his singing of Heer. |
|
2007 |
Shankar Mahadevan | "Maa" | Taare Zameen Par | Hindi |
For the plaintive rendition of a soulful song which is a musical expression of a theme which touches the heart. |
|
2008 |
Hariharan | "Jeev Dangla Gungla Rangla Asa" | Jogwa | Marathi |
For his soulful rendition reflecting the agony of unfulfilled emotions. |
|
2009 |
Rupam Islam | "Ei To Ami" | Mahanagar@Kolkata | Bengali |
For the deeply felt emotional resonance and a haunting lilt that evokes the thematic ambience of the film. |
|
2010 |
Suresh Wadkar | "Hey Bhaskara Kshitijavari Ya" | Mee Sindhutai Sapkal | Marathi |
For rendering soulful lyrics in a resonant voice soaked in emotion with a purity of musical expression and spiritual empathy. |
|
2011 |
Anand Bhate | – | Balgandharva | Marathi |
For taking up the challenge of recreating the ethos of a doyen like Bal Gandharva who strode the musical stage like a giant. He recreates the magic of the sonorous voice of Bal Gandharva in a flawless and distinguished manner thus helping preserve a tradition. The original voice of the actor and his voice blend seamlessly. |
|
2012 |
Shankar Mahadevan | "Bolo Na" | Chittagong | Hindi |
Powerful and expressive rendering of what sounds like a timeless melody. |
Read more about this topic: National Film Award For Best Male Playback Singer
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“The two real political parties in America are the Winners and the Losers. The people dont acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead.”
—Kurt Vonnegut, Jr. (b. 1922)