National Film Award For Best Editing - Winners

Winners

Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:

List of award recipients, showing the year (award ceremony), film(s), language(s) and citation
Year Recipient(s) Film(s) Language(s) Citation
1976
K. Babu Rao Siri Siri Muvva Telugu
1977
• Waman Bhonsle
• Gurudutt Shirali
Inkaar Hindi

For thrilling sequences which are evidence of extraordinary editorial virtuosity, establishing pace and tempo, brilliantly orchestrated in relation to the swift, suspenseful action; for cutting and montage of such dexterous facility as to conceal the skill which enables the dramatic power to explode across the screen from time to time with stunning impact.

1978
Gangadhar Naskar Parashuram Bengali

For his bravura style of editing which is in complete harmony with the highly stylised treatment of the theme by the director.

1979
Gangadhar Naskar Ek Din Pratidin Bengali
1980
Gangadhar Naskar Akaler Shandhaney Bengali

For a sensitive use of images, for gradually building up the tempo of the film in a well-knit pattern; for never permitting a slackening of pace and for underlining the whole film with a subdued sense of drama.

1981
Bhanudas Divakar Arohan Hindi

For precision in timing, for excellent juxtaposition of images, for sustained tempo and rhythm and a masterful creation of the deluge sequence.

1982
Keshav Hirani Arth Hindi

For sustaining the inherent tension in the plot by precise timing and artistic juxtaposition of images and sounds.

1983
Mrinmoy Chakraborty Khandhar Hindi

For his work which gives the film its structure, rhythm and brooding quality.

1984
Anil Malnad Sitaara Telugu
1985
Babu Sheikh Hum Naujawan Hindi

For his work in the film which, due to his slick editing becomes more effective.

1986
Sanjiv Shah Mirch Masala Hindi

For his perfection in creating a smooth flow.

1987
P. Mohanraj Vedham Pudhithu Tamil

For being able to find an original editing vocabulary appropriate to the story in order to create a perfect blend of narrational and motivating elements.

1988
A. Sreekar Prasad Raakh Hindi

For his precise use of time and juxtaposition in bringing out creatively the internal turmoil of a modern youth.

1989
Renu Saluja Parinda Hindi

For her brisk and precise cutting and the creative heights to which she has taken the film with her intelligent and intuitive knowledge of her art.

1990
M. S. Mani Iyer the Great Malayalam

For slick well-placed editing which elevates the craft of the film.

1991
Renu Saluja Dharavi Hindi

For achieving right timing and rhythm, with the dexterous juxtaposition of sound and visuals.

1992
M. S. Mani Sargam Malayalam

For imparting a natural rhythm to Sargam completely in time with its musical format.

1993
Renu Saluja Sardar Hindi

For combining expertise with artistry in a diverse and disparate series of sequences into a memorable experience of epic cinema.

1994
• B. Lenin
• V. T. Vijayan
Kadhalan Tamil

For the sheer magic of an editing idiom, cut to perfect timing event at a breath taking pace, in sequences that often make the implausible a plausibility.

1995
Suresh Urs Bombay Tamil

For its impeccable craftsmanship in bringing about the pace, rhythm and flow in narrating the story.

1996
A. Sreekar Prasad Rag Birag Assamese

For slickly editing with imagination, setting the pace and flow of the story.

1997
A. Sreekar Prasad The Terrorist Tamil

For his sleek, officient and sharp editing which gives the film an absorbing pace, making it gripping and thought provoking.

1998
Renu Saluja Godmother Hindi

For her smart slick and innovative editing adds an artistic touch to the film. her pacing of the cuts enhance the emotions and sound overlaps lend a remarkable lucidity to the narration.

1999
A. Sreekar Prasad Vanaprastham Malayalam

For maintaining the required unity of form and content by putting images and sound tracks in perfect harmony and rhythm for this film.

2000
• Suresh Pai
• Apurva Asrani
Snip! English

For creating an evocative rhythm in the film enhancing the pace of the narrative while aesthetically maintaining the unit of form and content.

2001
Beena Paul Mitr, My Friend English

For her crisp and taut cutting, makes her bag this award. The excellence is on view in frames offering imaginative touch.

2002
A. Sreekar Prasad Kannathil Muthamittal Tamil

For heightening the dramatic conflicts of the story.

2003
Aarif Sheikh Samay: When Time Strikes Hindi

For its crisp cutting that successfully sustains the tempo of the film's suspense.

2004
Suresh Pai Page 3 Hindi

For the crisp cutting which gives a finesse to the film and the successfully sustains the tempo of the film and mood and emotion while never losing the narrative.

2005
P. S. Bharati Rang De Basanti Hindi

For creating a commendable pace and multi-layered visual design that heightens the impact of the film.

2006
Raja Mohammad Paruthiveeran Tamil

For innovative editing that enhanced the director's vision to fashion a powerful film.

2007
B. Ajith Kumar Naalu Pennungal Malayalam

For presenting at a uniform pace four different stories which unfold as a single entity.

2008
A. Sreekar Prasad Firaaq Hindi

For aesthetically weaving together unrelated sequences to heighten the dramatic impact.

2009
Arghyakamal Mitra Abohoman Bengali

For a very precise juxtaposition of time and space, allowing every frame to unravel the story with a keen sense of rhythm and pace.

2010
Kishore Te. Aadukalam Tamil

For the subliminal impact created by the use of montage so as to bring to the fore thematic concerns of the narrative in a holistic manner.

2011
• Praveen K. L.
• N. B. Srikanth
Aaranya Kaandam Tamil

For recreating a unique yet dystopic mindscape of the world of ordinary gangsters in Chennai. In the editing of the film, they both play a key role in probing their psychological motives through the skilful intercutting of the real world of the characters with the perceived realities of the dark and deprived urban spaces that they inhabit.

2012
Namrata Rao Kahaani Hindi

Imaginative editing has embellished the rhythm and flow of this highly watchable thriller.

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