National Development Front - Criticism

Criticism

The NDF was accused of being a communal outfit and members of the organisation were implicated in violent incidents such as the 2002 Marad massacre. The Thomas P Joseph Commission report found that "activists of IUML and NDF, a Muslim outfit, were actively involved in the massacre". The State secretary of the Communist Party of India (Marxist) in Kerala, Pinarayi Vijayan, said that NDF was involved in the Marad massacre and referred to them as a "terrorist outfit" that executed a "planned mass murder". NDF was blamed for inciting violence against moderate Muslims in Kerala who are in opposition to liberal and reformist Islamic movements and individuals. The "involvement of fundamentalists and terrorists" was behind the incident.

The Bharatiya Janata Party (BJP) put forward allegations that NDF maintains links with Pakistan's ISI. The Bharatiya Janata Party sought an inquiry into NDF-ISI links. The Indian National Congress (who are politically opposed to the BJP) raised doubts about the true nature of their activities. On 31 October 2006, the Congress launched a campaign against terrorism in Malappuram district in Kerala, simultaneously taking on parties and organisations such as the IUML, the Communist Party of India (Marxist), the NDF, and the People's Democratic Party (PDP).

Read more about this topic:  National Development Front

Famous quotes containing the word criticism:

    People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.
    F. Scott Fitzgerald (1896–1940)

    It is from the womb of art that criticism was born.
    Charles Baudelaire (1821–1867)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)