Nathalie Baye - Career

Career

Her second cinema appearance was in Two People (1973) directed by Robert Wise. She became more widely known as the script girl in La Nuit américaine (Day for Night) by François Truffaut. Throughout the 1970s she played the good girlfriend or nice provincial girl in film and television.

In 1981 she won her first César, for best supporting artist in Sauve qui peut (la vie) by Jean-Luc Godard. There then followed Le Retour de Martin Guerre and La Balance.

She won two more Césars (Best Supporting Female for Une étrange affaire (A Strange Affair), and Best Actress in 1982 for La Balance). Her four-year relationship with Johnny Hallyday made them a celebrity couple and their daughter Laura is now actress Laura Smet.

After changing image by playing a streetwalker in La Balance, she widened her scope with more obscure characters in J'ai épousé une ombre and En toute innocence. In 1986 she returned to the theatre with an interpretation of Adriana Monti.

In 1999 she was voted Best Supporting Actress at Venice Film Festival for Une liaison pornographique and in 2000 starred in the award-winning film Vénus Beauté (Institut) by Tonie Marshall

She has worked with Claude Chabrol and Steven Spielberg.

Read more about this topic:  Nathalie Baye

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.
    Douglas MacArthur (1880–1964)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)