Television
Year | Show | Role | Notes and awards |
---|---|---|---|
1992–1994 | Neighbours | Beth Brennan | Imbruglia made her first regular TV appearance as the character Beth Brennan in the popular Australian soap Neighbours at the age of 16 in 1991. |
1997 | Law of the Land | Faye Watson | Imbruglia starred in an episode entitled 'Late Kill' in the Crime Series. |
1998 | Saturday Night Live | Musical Guest/Herself | |
2002 | Legend of the Lost Tribe | Koala | Imbruglia lent her voice to this animated feature film. |
2009 | In Memory Of Maia | Herself | Maia was a European brown bear whose brutal death served as the inspiration for a unique bear sanctuary in the mountains of Transylvania. In her first television documentary, Imbruglia traveled to Romania with the WSPA and Network Ten to meet the people behind the sanctuary. |
2010 | The X Factor | Guest Judge | Natalie stood in for Dannii Minogue during the Birmingham auditions. She returned to work alongside Minogue at the Judges Houses section of the show, helping make the final three boys selection in Australia. |
2010 | The X Factor (Australia) | Judge/Herself | Judge on the Australian version of The X Factor on the Seven Network. |
Read more about this topic: Natalie Imbruglia
Famous quotes containing the word television:
“In full view of his television audience, he preached a new religionor a new form of Christianitybased on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)