The narrative of the abduction phenomenon is an alleged core of similarity in contents and chronology underlying various claims of forced temporary abduction of humans by apparently otherworldly beings. Proponents of the abduction phenomenon contend that this similarity is evidence of the veracity of the phenomenon as an objective reality, although this belief is disregarded by most scientists, who regard alien abduction as a purely psychological and cultural phenomenon.
Skeptics of the abduction phenomenon contend that similarities between reports arise from commonalities rooted in human psychology and neurology or cast doubt on the presence of similarities between reports at all. They note the evolving contents of abduction claims and the apparent effect of culture on the details of the narratives as evidence that the phenomenon is a purely subjective experience. Skeptics also point out the likelihood of large numbers of hoaxes being present in the abduction literature.
Currently the skeptical perspective is the most prevalent among scientists and academics. Many scientists believe that pro-abduction researchers are practising pseudoscience, alleging that they lack the skepticism and methodological rigor of true scientists.
Believers assert that it is unlikely for hundreds of people to independently generate such similar narratives while apparently having no knowledge of each other's claims. Some abduction investigators attempt to confirm the reality of events reported in abduction claims through observation or experimentation, although such efforts are generally dismissed as pseudoscientific by mainstream academics.
Read more about Narrative Of The Abduction Phenomenon: Overview, Capture, Examination, Subsequent Abduction Procedures, Less Common Elements, Return, Missing Time, Realization Event, See Also
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“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
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