Narnia - Reading Order

Reading Order

Fans of the series often have strong opinions over the order in which the books should be read. The issue revolves around the placement of The Magician's Nephew and The Horse and His Boy in the series. Both are set significantly earlier in the story of Narnia than their publication order and fall somewhat outside the main story arc connecting the others. The reading order of the other five books is not disputed.

Original publication order Harper Collins order (chronological)
The Lion, the Witch and the Wardrobe The Magician's Nephew
Prince Caspian The Lion, the Witch and the Wardrobe
The Voyage of the Dawn Treader The Horse and His Boy
The Silver Chair Prince Caspian
The Horse and His Boy The Voyage of the Dawn Treader
The Magician's Nephew The Silver Chair
The Last Battle The Last Battle

When first published, the books were not numbered. The first American publisher, Macmillan, enumerated them according to their original publication order, while some early British edition specified the internal chronological order. When Harper Collins took over the series rights in 1994, they adopted chronological order. To make the case for chronological order, Lewis' stepson, Douglas Gresham, quoted Lewis' 1957 reply to a letter from an American fan who was having an argument with his mother about the order:

I think I agree with your order for reading the books more than with your mother's. The series was not planned beforehand as she thinks. When I wrote The Lion I did not know I was going to write any more. Then I wrote P. Caspian as a sequel and still didn't think there would be any more, and when I had done The Voyage I felt quite sure it would be the last, but I found I was wrong. So perhaps it does not matter very much in which order anyone read them. Iā€™m not even sure that all the others were written in the same order in which they were published.

In the 2005 Harper Collins adult editions of the books, the publisher cites this letter to assert Lewis' preference for the numbering they adopted by including this notice on the copyright page:

Although The Magician's Nephew was written several years after C. S. Lewis first began The Chronicles of Narnia, he wanted it to be read as the first book in the series. Harper Collins is happy to present these books in the order in which Professor Lewis preferred.

Paul Ford cites several scholars who have weighed in against this view, and continues, "most scholars disagree with this decision and find it the least faithful to Lewis's deepest intentions". Scholars and readers who appreciate the original order believe that Lewis was simply being gracious to his youthful correspondent and that he could have changed the books' order in his lifetime had he so desired. They maintain that much of the magic of Narnia comes from the way the world is gradually presented in The Lion, the Witch and the Wardrobe ā€“ that the mysterious wardrobe, as a narrative device, is a much better introduction to Narnia than The Magician's Nephew, where the word "Narnia" appears in the first paragraph as something already familiar to the reader. Moreover, they say, it is clear from the texts themselves that The Lion, the Witch and the Wardrobe was intended to be read first. When Aslan is first mentioned in The Lion, the Witch and the Wardrobe, for example, the narrator says that "None of the children knew who Aslan was, any more than you do" ā€” which is nonsensical if one has already read The Magician's Nephew. Other similar textual examples are also cited.

Doris Meyer, author of C. S. Lewis in Context and Bareface: A guide to C. S. Lewis, writes that rearranging the stories chronologically "lessens the impact of the individual stories" and "obscures the literary structures as a whole". Peter Schakel devotes an entire chapter to this topic in his book Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds, and in Reading with the Heart: The Way into Narnia he writes:

The only reason to read The Magician's Nephew first is for the chronological order of events, and that, as every story teller knows, is quite unimportant as a reason. Often the early events in a sequence have a greater impact or effect as a flashback, told after later events which provide background and establish perspective. So it is with the Chronicles. The artistry, the archetypes, and the pattern of Christian thought all make it preferable to read the books in the order of their publication.

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