Theatre Performances
| Season | Play Title | Theatre | Role | Notes |
|---|---|---|---|---|
| 1900 | Pericles | Shakespeare Memorial Theatre, Stratford-upon-Avon | Diana | |
| 1900 | Macbeth | Shakespeare Memorial Theatre, Stratford-upon-Avon | Hecate | |
| 1901–02 | Ulysses | Her Majesty's Theatre, London | Calypso | |
| 1902–03 | The Eternal City | His Majesty's Theatre, London | Princess Bellini | Dramatisation of Hall Caine's novel of the same name |
| 1903 | Em'ly | Adelphi Theatre, London | Rosa Dartle | |
| 1903 | A Snug Little Kingdom | Royalty Theatre, London | Sister Hope | |
| 1903 | The Two Mr. Wetherbys | Imperial Theatre, London | Constantia | Stage Society production of St. John Hankin's first play |
| 1903–04 | Letty | Duke of York's Theatre, London | Hilda Gunning | |
| 1908–09 | A Modern Aspasia | The Aldwych Theatre, London | Muriel Meredith | Play by Hamilton Fyfe, cast included her husband Charles Maude |
| 1909 | One of the Best | The Aldwych Theatre, London | Esther Coventry | Play by Seymour Hicks |
| 1909 | The Fountain | The Aldwych Theatre, London | Dinah Kippin | Play by George Calderon |
| 1909–10 | The Whip | Theatre Royal, Drury Lane, London | Mrs. D'Aquila | |
| 1910–11 | Vision Of Delight | His Majesty's Theatre, London | Play written by Ben Jonson | |
| 1911 | The First Actress | The Kingsway Theatre, London | Margaret Hughes | |
| 1911 | The Merchant of Venice | Shakespeare Memorial Theatre, Stratford-upon-Avon | Portia | |
| 1915–16 | Richard III | His Majesty's Theatre, London | ||
| 1920–21 | Chu Chin Chow | Prince's Theatre, Bristol | ||
| 1923 | Outward Bound | Everyman Theatre, London | Play by Sutton Vane | |
| 1923–24 | Ambush | Garrick Theatre, London | ||
| 1925 | Enrico IV (Henry IV) | |||
| 1925 | And That's the Truth (If You Think it is) | Lyric Theatre, Hammersmith, London | Signora Frola | Based on play Così è (se vi pare) by Luigi Pirandello |
| 1925 | Gloriana | Little Theatre in the Adelphi, London | Princess Elizabeth | Appearing alongside Sir John Gielgud |
| 1929–30 | Belle: or What's the Bother? | Prince Of Wales Theatre, London | ||
| 1931 | The Silver Box | Fortune Theatre, London | Mrs. Jones | Play written by John Galsworthy |
| 1931 | Salome | Savoy Theatre, London | Herodias | First public performance in England of Oscar Wilde's previously banned play |
| 1934 | Nurse Cavell | Vaudeville Theatre, London | Edith Cavell | Play written by C.E. Bechhofer Roberts and C.S. Forester |
| 1941–42 | Whiteoaks | Theatre Royal, Bath | ||
| 1943 | Vintage Wine | Grand Theatre, Blackpool | Madame Popinot | |
| 1943–44 | John Gabriel Borkman | The Playhouse Theatre, Liverpool | ||
| 1944–45 | Lisa | The Playhouse Theatre, Liverpool | ||
| 1950 | The Orange Orchard | New Lindsey Theatre, London | Martha Blanchard |
Read more about this topic: Nancy Price
Famous quotes containing the words theatre and/or performances:
“A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.”
—Kenneth Tynan (1927–1980)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)