Television
On daytime television, Marchand created the roles of Vinnie Phillips on the CBS soap opera, Love of Life and Theresa Lamonte on the NBC soap, Another World. She also starred as matriarch, Edith Cushing, on Lovers and Friends, a short-lived soap opera.
On prime time television, Marchand was known for her roles of autocratic newspaper publisher Margaret Pynchon on Lou Grant - winning four Emmy Awards as Best Supporting Actress in a Dramatic Series for her performance - and matriarch Livia Soprano, mother of Tony Soprano, on the HBO series The Sopranos, which earned her a Golden Globe Award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television and a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. She appeared in many anthology series in the early days of television, including The Philco Television Playhouse (on which she starred in Marty opposite Rod Steiger), Kraft Television Theatre, Studio One, and Playhouse 90. Additional television credits include The Law and Mr. Jones, Spenser: For Hire, Law & Order, Homicide: Life on the Street, Coach, and Night Court. She played Hester Crane, mother of Frasier Crane, on an episode of Cheers.
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Famous quotes containing the word television:
“It is marvelous indeed to watch on television the rings of Saturn close; and to speculate on what we may yet find at galaxy’s edge. But in the process, we have lost the human element; not to mention the high hope of those quaint days when flight would create “one world.” Instead of one world, we have “star wars,” and a future in which dumb dented human toys will drift mindlessly about the cosmos long after our small planet’s dead.”
—Gore Vidal (b. 1925)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.”
—J.G. (James Graham)