Television
On daytime television, Marchand created the roles of Vinnie Phillips on the CBS soap opera, Love of Life and Theresa Lamonte on the NBC soap, Another World. She also starred as matriarch, Edith Cushing, on Lovers and Friends, a short-lived soap opera.
On prime time television, Marchand was known for her roles of autocratic newspaper publisher Margaret Pynchon on Lou Grant - winning four Emmy Awards as Best Supporting Actress in a Dramatic Series for her performance - and matriarch Livia Soprano, mother of Tony Soprano, on the HBO series The Sopranos, which earned her a Golden Globe Award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television and a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. She appeared in many anthology series in the early days of television, including The Philco Television Playhouse (on which she starred in Marty opposite Rod Steiger), Kraft Television Theatre, Studio One, and Playhouse 90. Additional television credits include The Law and Mr. Jones, Spenser: For Hire, Law & Order, Homicide: Life on the Street, Coach, and Night Court. She played Hester Crane, mother of Frasier Crane, on an episode of Cheers.
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Famous quotes containing the word television:
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (1904–1989)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)