Television
On daytime television, Marchand created the roles of Vinnie Phillips on the CBS soap opera, Love of Life and Theresa Lamonte on the NBC soap, Another World. She also starred as matriarch, Edith Cushing, on Lovers and Friends, a short-lived soap opera.
On prime time television, Marchand was known for her roles of autocratic newspaper publisher Margaret Pynchon on Lou Grant - winning four Emmy Awards as Best Supporting Actress in a Dramatic Series for her performance - and matriarch Livia Soprano, mother of Tony Soprano, on the HBO series The Sopranos, which earned her a Golden Globe Award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television and a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. She appeared in many anthology series in the early days of television, including The Philco Television Playhouse (on which she starred in Marty opposite Rod Steiger), Kraft Television Theatre, Studio One, and Playhouse 90. Additional television credits include The Law and Mr. Jones, Spenser: For Hire, Law & Order, Homicide: Life on the Street, Coach, and Night Court. She played Hester Crane, mother of Frasier Crane, on an episode of Cheers.
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Famous quotes containing the word television:
“So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.”
—Barbara Ehrenreich (b. 1941)
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)