Television
On daytime television, Marchand created the roles of Vinnie Phillips on the CBS soap opera, Love of Life and Theresa Lamonte on the NBC soap, Another World. She also starred as matriarch, Edith Cushing, on Lovers and Friends, a short-lived soap opera.
On prime time television, Marchand was known for her roles of autocratic newspaper publisher Margaret Pynchon on Lou Grant - winning four Emmy Awards as Best Supporting Actress in a Dramatic Series for her performance - and matriarch Livia Soprano, mother of Tony Soprano, on the HBO series The Sopranos, which earned her a Golden Globe Award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television and a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. She appeared in many anthology series in the early days of television, including The Philco Television Playhouse (on which she starred in Marty opposite Rod Steiger), Kraft Television Theatre, Studio One, and Playhouse 90. Additional television credits include The Law and Mr. Jones, Spenser: For Hire, Law & Order, Homicide: Life on the Street, Coach, and Night Court. She played Hester Crane, mother of Frasier Crane, on an episode of Cheers.
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Famous quotes containing the word television:
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)
“It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.”
—Shirley Chisholm (b. 1924)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)