Career
Before starring in Halloween, she played Julie in the 1976 thriller Assault on Precinct 13, also directed by Carpenter. In addition to acting, she served as this film's wardrobe mistress, but she used a different name for the film credits ("Louise Kyes" for the wardrobe mistress credit and "Nancy Loomis" for her acting credit).
In 1980, Kyes played the role of Sandy Fadel in Carpenter's hit horror film The Fog, in which she appeared with her Halloween co-star Jamie Lee Curtis, her Assault on Precinct 13 co-star Darwin Joston, and Charles Cyphers, who appeared with Kyes in both Halloween and Assault on Precinct 13.
In 1981 Kyes filmed a new scene to be inserted into the television version of Halloween, and filmed a brief cameo appearance for Halloween II. Kyes had a small role in Halloween III: Season of the Witch (1982) as the ex-wife of the lead character, played by Tom Atkins. This makes her the first person to appear in the first three Halloween films, although Jamie Lee Curtis does return for a voice-only cameo as the voice of a telephone operator.
Although she has starred in a few TV movies, her only guest appearance on television was on the 1985 revival of The Twilight Zone.
After retiring from acting she worked as a sculptress in the Los Angeles area.
Read more about this topic: Nancy Kyes
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)