Art Style
Bushmiller refined and simplified his drawing style over the years to create a uniquely stylized comic world. The American Heritage Dictionary illustrates its entry on comic strip with a Nancy cartoon. Despite the small size of the reproduction, both the art and the gag are clear, and an eye-tracking survey once determined that Nancy was so conspicuous that it was the first strip most people looked at on a newspaper comics page.
In a 1988 essay, “How to Read Nancy”, Mark Newgarden and Paul Karasik offered a probing analysis of Bushmiller’s strip:
To say that Nancy is a simple gag strip about a simple-minded snot-nosed kid is to miss the point completely. Nancy only appears to be simple at a casual glance. Like architect Mies van der Rohe, the simplicity is a carefully designed function of a complex amalgam of formal rules laid out by the designer. To look at Bushmiller as an architect is entirely appropriate, for Nancy is, in a sense, a blueprint for a comic strip. Walls, floors, rocks, trees, ice-cream cones, motion lines, midgets and principals are carefully positioned with no need for further embellishment. And they are laid out with one purpose in mind—to get the gag across. Minimalist? Formalist? Structuralist? Cartoonist!Read more about this topic: Nancy (comic strip)
Famous quotes containing the words art and/or style:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“One never tires of what is well written, style is life! It is the very blood of thought!”
—Gustave Flaubert (1821–1880)