Culture
In general the Nama practice a policy of communal land ownership. Music, poetry and story telling are very important in Nama culture and many stories have been passed down orally through the generations.
The Nama have a culture that is rich in the musical and literary abilities of its people. Traditional music, folk tales, proverbs, and praise poetry have been handed down for generations and form the base for much of their culture. They are known for crafts which include leatherwork, skin karosses and mats, musical instruments (such as reed flutes), jewellery, clay pots, and tortoiseshell powder containers.
The traditional dress of Nama women consists of long, formal dresses that resemble Victorian traditional fashion. The long, flowing dresses were developed from the style of the missionaries in the 1800s, and this traditional clothing is today an integral part of the Nama nation's culture.
They have largely abandoned their traditional religion through the sustained efforts of Christian (and now Muslim) proselytizers. The majority of the Nama people in Namibia today are therefore Christian with a small Muslim minority.
Read more about this topic: Nama People
Famous quotes containing the word culture:
“It is of the essence of imaginative culture that it transcends the limits both of the naturally possible and of the morally acceptable.”
—Northrop Frye (b. 1912)
“... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.”
—Katharine Fullerton Gerould (1879–1944)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)